19th Century / 1801 - 1900

Group of 4 chairs supported by saber shaped rear legs and curved frontal ones that are connected by crossbeams. Walnut with stuffed seat and open backrest.

20th Century / 1901 - 2000

Wrought iron chandelier with six lights.

Group of 6 chairs; natural and laquered beech wood, spring padding and leatherette upholstery.

Center table, chromed metal, top in Walnut veneered wood.

Group of chairs with beech wood structure and leatherette seat.

Vintage floral cotton carpet; big knot. Machine-made.

20th Century / 1901 - 2000

Separé composed of four panels, covered on one side with embossed and gilded leathers, originally wall leathers.

18th Century / 1701 - 1800

Veronese neo-classical drop-leaf secretaire supported by pyramidal truncated feet. 3 frontal drawers surmounted by a folding door that hides a central open compartment and small lateral drawers. Walntu slab with marple and olive threads and silver fir interior.

19th Century / 1801 - 1900

Walnut extensible table supported by refined legs that end with wrought iron tips and brass wheels.

Pair of ceramic vases with cylinrical base and decorations of oriental figures inside the reserves.

Saint George 1992

Oil on panel. Signed bottom right. On the back, with Cyrillic characters, there is the title, the date and the location, Bergamo. The Lithuanian artist, who currently lives and works between Moscow, Italy and the United Kingdom, is considered one of the most important contemporary Russian artists. In his large production there are landscapes, still lifes, many portraits of famous people and his surreal compositions, an expression of his peculiar "dream vision" of reality. Even in this table, albeit in the style of traditional icons, the depiction of the famous St. George is proposed in a surreal key that reminds of De Chirico, in which the dragon is replaced by a goose, the Saint's head is an egg, in the outlines there are figures of sorceresses... a clearly unorthodox interpretation! The panel has a vertical slit. The piece is presented in a frame.

Oil on canvas. It probably depicts a tragic anti-Semitic event. On the right, a wounded soldier in Russian uniform is witnessing the dramatic scene of a slaughtered family while the rabbi is preying for them. The broken window and the upside down drawers make clear that the killers broke into the house. On the left of the mirror, there is a Jewish writing that may suggest the location. The word may be translated as 'Ciro' and may be referring to the areas of Georgia and Azerbaijan near the Kura (river flowing from Turkey to the Caspian Sea, known as 'Ciro' in 1800s). The painting, restored and relined, is presented in a frame of the 1800s.

18th Century / 1701 - 1800

Centre Italian cupboard supported by shelf shaped feet; it has 2 framed doors, 2 pull out surfaces in the undertop band that support the folding door that hides drawers and compartments. The upper body has a paneld door. Walnut with poplar interiors; it had gone through restoration works to straighten the lower doors; the tympanum shped cimatium had been added later

19th Century / 1801 - 1900

Pair of Liberty wrought iron and shear plate wall lights decorated with phitomorphic motifs; originally they were gilded as we can deduct from some signs, but they had been painted in green later.

Group of 4 chairs; chromed metal tubular, foam padding and leather upholstery.

Corner cabinet, veneered wood, chromed aluminum band.

18th Century / 1701 - 1800

Baroque game table, supported by wavy legs, two of which rotate to support the openable top. In walnut, veneered in walnut briar on the top and on the outside of the legs. The internal drawers were added later.

Pencil on paper. Bottom right, on both, the writing "Pietro Mulazzi sketched", with the date 1883. By an unknown artist but skilled in the use of pencils, these are the portraits of a bourgeois couple, whose gray faces emerge clearly from the paper background red. They are presented in contemporary gilded frames, with several shortcomings (to be restored).

Portrait of a child

Oil on canvas. Signed lower right. Palermitan painter, Francesco Camarda distinguished himself for figure painting, dedicated to portraits and the nude, and above all for animalist painting, in the wake of the realist production of the Palizzi brothers. He was able to express a painting with a lively and fresh color. In this small canvas is proposed the portrait of a child sitting on a chair, hooded to frame the plump and smiling face, the direct gaze, the plump little hands resting on the knees in a proud and resolute pose. The work is presented in a contemporary frame.

Glimpse of a snowy town

Oil on hardboard. Signed lower right. Born in 1905, Gaetano Valbusa worked for over forty years as a worker in the Brescia Mechanical Workshops, until retirement, devoting himself to painting only as a passion. Landscape painter, thanks to business trips he was able to portray "en plein air" glimpses of the whole world, even if the glimpses of the places in Brescia are the most recurring subject. Affiliated to the Brescian Artists Association, he was able to exhibit his works and make himself known by critics. In his canvases the landscapes are permeated with great serenity and tranquility, an elegy of serene memories of real life. The glimpse proposed here is presented in a frame.