Vintage 1950s Mirror Wrought Iron Wood Marble Italy

Pair of armchairs in ebonized beech wood, foam padding, velvet upholstery. Restored.

Buffet with mirror with hinged doors and visible drawers, exotic wood veneer, back-treated glass top, brass details.

Floor lamp, beech wood and walnut veneer, lampshade in plasticized fabric.

Sofa, foam padding, original fabric covering, enamelled metal legs with brass tips. A sofa that lends itself to being revisited to make it suitable for an environment with a relaxation area, with an original style and a taste of times gone by, the product can be restored by our laboratory, with an intervention that involves the replacement of the padding and the fabric by choosing from our different samples.

Coffee table, brass-plated metal structure, marble top.

View of the World from 9th Avenue, 1976

Printed on paper. At the top is the masthead of the famous magazine, at the bottom the signature of the illustrator. Saul Steinberg was one of the greatest illustrators of the 20th century, a world-famous artist and illustrator who, during his career, collaborated with the major American periodicals, including ‘Life’, ‘Time’, ‘Harper's Bazaar’, but is best known for his collaboration between the 1940s and 1980s with The New Yorker, a magazine for which he produced illustrations, cartoons, drawn reports and dozens of covers. With his essential, scratchy lines and his metaphysical imagery influenced by Dadaism and Art Deco, Steinberg depicted views of New York and visionary, surreal compositions on the magazine's covers. With his essential, scratchy lines and metaphysical imagery influenced by Dadaism and Art Deco, Steinberg depicted views of New York and visionary, surreal compositions on the magazine's covers. Steinberh suggested replacing the word ‘autobiography’ with ‘autogeography’, as if life were essentially a matter of places, locations and perspectives, as in this famous cover of the New Yorker of 29 March 1976, entitled ‘View of the World from 9th Avenue’, which shows the world as seen from an unspecified point on the famous street. The poster is presented in a frame.

Oil on walnut board. Flemish school of the 16th century. The painting presents a landscape characterized by a tall leafy plant in the centre, which vertically divides the scene into two parts, rising from the brown and dark earth in the foreground, towards the horizon of wooded blue hills, which then fade into a chromatic continuum in the sky above, interrupted by the thick foliage of the tree. The scene in the foreground is animated by various figurines of walking characters, scattered across the countryside. The chromatic choices are peculiar, the browns and blues, which together with the type of landscape and the figures refer to Flemish painting; moreover, the use of a walnut panel testifies to a Flemish artist working in Italy, where this pictorial support, unusual in Northern Europe, was used. The painting is presented in a contemporary frame.

Elegant hat signed by the fine Milanese millinery Gallia Peter, dating back to the 1950s. Satin ribbons are intertwined and sewn to the tulle; the brim is wider at the front and the circumference is 52 centimetres. Very good condition.

Desk with side column of drawers, mahogany and maple veneered wood. To be restored.

Floor lamp, with articulated arm and adjustable diffuser; brass, fabric lampshade and methacrylate plate.

This summer hat created by the historic Milanese millinery Gallia and Peter, in brown tulle with feathers, is very original. The conditions are very good, the circumference measures 55 centimetres.