Mostra di Antonio Mancini

Mariano Fortuny

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Paris Musées

Ce catalogue est publié à l'occasion de l'exposition"Fortuny, un espagnol à Venise" présentée au Palais Galiera, Paris, du 4 octobre 2017 au 7 janvier 2018.00Les robes, d'habitude, n'ont qu'un avenir, avant qu'elles soient portées... Celles-ci semblent déjà avoir un passé qui ajoutera sa grâce mélancolique à la beauté de celle qui s'en parera demain. Gérard d'Houville a propos de Mariano Fortuny dans "Un magicien", Le Figaro, 1er mai 1911 0.

Arte a Roma

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Banca euromobiliare

Adriano e le sue memorie

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Camera di commercio di Bergamo e Roma

La fotografia en las collecciones reales

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Patrimonio Nacional

Il manuale del domatore di mostri

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Fabbri editori

50 anni di carta geografica

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Gaspari editore

Photography Year-Book 1953

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Harold Lewis

Mettiamo tutto a fuoco!

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Edizioni Savelli

Artemide

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s.e.

Art of the world

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Art for the world

Muntadas on Translation: I Giardini

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[Ministerio de Asuntos Exteriores]

In a year when Spanish curators directed the Venice Biennale for the first time, Antoni Muntadas, representing Spain in the Spanish pavilion, told a reporter that the Biennale "takes its ideas from international fairs. It connotes the theme park. There was exoticism, invention, the new... but by now it is an obsolete structure." Muntadas's On Translation: I Giardini, the latest in a series of often site-specific On Translation projects completed over the last 10 years, is here documented from its inception. Translation is a metaphor, as Muntadas states, "I am not talking about translation in a literal sense, but in a cultural sense--how the world we live in is a totally translated world, everything is always filtered by some social, political, cultural and economic factor... by the media, of course, by context and by history." Accordingly, I Giardini looks into the context and history of the Biennale's Giardini del Castello, delving into the transformations and "translations" it has undergone over time, and investigating Venice's status and the space that frames the Biennale. Muntadas notes, for instance, that a new Italian pavilion built on Mussolini's orders was replaced again after the war.

Miles and meals. Handcrafted by Pirelli

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Pirelli SpA