Dusan Jelincic
Campanotto Editore

Alexandra David-Neel
Voland

Vincenzo Bellini
Leonardo Lapiccirella-Libreria Antiquaria

Ruggiero di Castiglione
Editrice Atanòr

Maria Cristina Ronc
Centro documentazione Alpina

Francesco Bruni
UTET

s.a.
Museo nazionale del cinema

Piero Calamandrei
La Nuova Italia

Piero Calamandrei
La Nuova Italia

Piero Calamandrei
La Nuova Italia

Girolamo Savonarola
Angelo Belardetti editore

Bruno Pellegrino
Mannelli editore

Kirill di Smolensk, S. S. Averincev, B, Bobrinskoy
Edizioni Qiqajon

Costantine Yiannitsiotis
trasfigurazione del salvatore

Silvano Livi vescovo ortodosso di Luini
il cerchio srl

Ostilio Lucarini
Edizioni Cappelli

Italy, Early XX Century

Neo-Baroque cupboard, richly carved with winged cherubs, lions, masks, leaf and fruit carvings. Base with two drawers in the lower band, two paneled doors with battle scenes and family crest in the center, feral feet. Upper part with two paneled doors with battle scenes and central family crest repeating the one below. Italy, early 20th century.

Armchair with foam padding, renewed upholstery, not original from the period and stained wooden legs.

Mochetti, Piacentino, Pistoletto
Edizioni galleria Toselli

Italy, 1970s-1980s

Thick colorless glass bookends with gold leaf inclusions. Metal base. Engraved manufacturer's signature at the bottom.

Italy, Late XIX Century

Umbertino sofa in walnut, armrests and backrest enriched with scroll carvings, turned feet. Padded seat, backrest and armrests. Italy, late 19th century.

Writing desk with undertop, stained beech wood and wooden top covered in laminate.

China, Qing Era (1644-1911)

Porcelain centerpiece composed of nine saucers of various shapes and decorated with polychrome enamels with scenes of courtly life. China, late Qing period (1644-1911).

Oil on canvas. In the large classical landscape of Nordic style, with thick vegetation and a torrential river, three figures are depicted on the path on the left that evoke the biblical characters of the Flight into Egypt: a man leads a donkey, on which sits a woman, wrapped in a blue cloak, holding her little son in her arms. Restored and relined, the painting is presented in an early 1900s frame.