Fernarda Faramelli, Dino Clementi
Edimond

Centro di studi sul classicismo
Edizioni Polistampa

Tema: Lorenzo Valla Alessio Patané, Schede per il Secundum Antidotum in Pogium Clementina Marsico, Nota su quia nel latino umanistico (a proposito di un saggio recente)Tema I: Cortesi Premessa, a cura di Mariangela Regoliosi; Abbreviazioni bibliografiche; Censimento dei manoscritti, a cura di Mariangela Regoliosi; Censimento delle stampe, a cura di Stefania Castelli; Regesto delle lettere di Alessandro, Antonio, Lattanzio e Paolo Cortesi, a cura di Francesco Bausi; Altri saggi: Roberto Cardini, Sui paratesti degli Apologi centum di Leon Battista Alberti - I Nicholas Mann, Buoni vicini: lo sviluppo della biblioteca di Aby Warburg; Abstract; Indici.

Lodovico Ariosto
Arnaldo Forni Editore

Federico Chabod
Giulio Einaudi Editore

Tertulliano
Biblioteca Univ. Rizzoli

Gabriele Pepe
Biblioteca Sansoni

Charles Lamb
BUR Rizzoli

Stéphane Mallarmé
Edizioni delle Donne

Gian Maria Ferretto
Edizioni G.M.F.

Paul Huson
Armenia Editore

Oil on canvas. Northern Italian School of the 17th-18th century. The scene features the figure of the Risen Christ at the centre, seated on the clouds, holding the Cross with one hand and with the other pointing downwards, where His gaze is also directed, towards the recipients of the Redemption; He is surrounded by angels and is illuminated by a beam of intense light that projects diagonally from the top left, piercing the clouds, a symbol of the presence of God the Father. Restored and relined, the painting is presented in a late 19th century gilded frame.

Elegant Table, veneered wood thuja root, brass plate inserted in the top and base. Very good condition, entirely restored by our laboratory with complete re-polishing.

France, Second Half XIX Century

Gilt and burnished bronze sculpture depicting a tamer with a horse. The author's signature is inscribed on the base. Posthumous copy.

Sliding door cabinet in mahogany veneer and smoked glass, the profiles are in brass-plated aluminum.

Giuseppe Luigi Marini
Umberto Allemandi

The celebrated annual of nineteenth- and twentieth-century painting in Italy, with the latest prices for paintings by 1100 artists. Carefully researched, in-depth information about market values and artistic worth for all the most important figurative painters of the nineteenth and twentieth centuries. This is the key guide to the fortunes of each painter among critics and collectors, with evaluations by period, subject, technique and format, and with the results of all the leading international auctions. Complete, top-quality, and up-to-date critical, historical and economic analyses make this work an internationally acclaimed classic trusted by scholars, collectors, dealers and experts. Acknowledged as the essential reference book for all those who need clear, up-to-date, objective, and fully verified information, it includes trends and projections for the future of collecting. Text in Italian. SELLING POINTS: The classic work on nineteenth-century art: up-to-date information, always clear and objective, and collecting trends make it the professional instrument for connoisseurs, lovers of art and experts Carefully researched and specialised information about annual art and market values for over 1000 important figurative painters of the nineteenth and twentieth centuries.This is the essential guide to the fortunes of each painter with critics and collectors. Estimates and results of all international auctions 80 colour & 1472 b/w illustrations

France, XX Century

Porcelain vase with neo-Renaissance decorations with plant motifs, mythological figures, cherubs and garlands. Under the base the manufacturer's brand.

Italy, Early XX Century

Art Nouveau chandelier in burnished metal, three lights, glass fusion plate with floral motifs. Italy, early 20th century.

China, XX Century

Guanyin head in marble with travertine base.

Italy, Late XIX Century

Ceramic plate, decorated in polychrome with a flower and vegetal swirls in the hollow. The brim features a sponged blue Greek key. Manufacturer's mark on the back.

Italy, Early XIX Century

Ceramic plate, with polychrome flower in the hollow and rim decorated in blue.

53 x 34 In

Kaisery rug in cotton and wool, fine knot and hand made.

Luca Grandori
Rizzoli

112 x 70 In

Khotam carpet in cotton and wool, large knot, hand made.

s.a.
galleria Borgonuovo