Revival Pair of Armchairs, Antiques, Neo-Renaissance, dimanoinmano.it
Revival Pair of Armchairs

Code: BOTNEO0000919

not available
Add to cart
SAFE PAYMENTS
pagamenti sicuri
Request information
Book a date
Revival Pair of Armchairs

Code: BOTNEO0000919

not available
Add to cart
SAFE PAYMENTS
pagamenti sicuri
Request information
Book a date

Revival Pair of Armchairs

Features

Style:  Neo-Renaissance Revival

Age:  20th Century / 1901 - 2000

Year:  Prima metà '900

Origin:  Italy

Main essence:  Walnut

Description

A pair of carved revival armchairs, walnut. Padded seats and backs, leather upholstery with studs. Manufactured in Italy, first half of the 20th century.

Product Condition:
The item shows signs of wear due to age. Any damage or loss is displayed as completely as possible in the pictures. It may require restoration and buffing.

Dimensions (cm):
Height: 123
Width: 64
Depth: 71

Additional Information

Style: Neo-Renaissance Revival

Stylistic revival, of the 20th century, of the forms typical of the Renaissance style.

This is a style that re-proposes, looking at the grandeur of the past, decorative motifs and ornaments typical of the 16th century.

Masks, frames, columns carved with herms that make up architectural structures typical of Renaissance palaces, are the elements that characterize the neo-Renaissance style.

These elements will remain in the production of furnishings until the early 1900s, contaminating themselves with floral elements.

Find out more about the Neo-Renaissance with our insights:

A Milanese library between Belle Epoque and Fascism

The Austrian taste of Baroque

Gothic sculpture

Art Déco

Neoclassical architecture

Age: 20th Century / 1901 - 2000

20th Century / 1901 - 2000

Main essence: Walnut

Walnut wood comes from the plant whose botanical name is juglans regia , probably originally from the East but very common in Europe. Light or dark brown in color, it is a hard wood with a beautiful grain, widely used in antique furniture. It was the main essence in Italy throughout the Renaissance and later had a good diffusion in Europe, especially in England, until the advent of mahogany. It was used for solid wood furniture and sometimes carvings and inlays, its only big limitation is that it suffers a lot from woodworm. In France it was widely used more than anything else in the provinces. In the second half of the eighteenth century its use decreased significantly because mahogany and other exotic woods were preferred.