Madonna with Child Gilded Glass Italy 1940s-1950s

Italy, Early XX Century

Gilded bronze lantern richly worked with curl and leaf motifs, on the sides there are curved glasses.

Oil on canvas. Looking at the compositions of the 17th-18th century, the painting proposes a composition of variegated and colorful flowers, which surmount a sculpture of three fauns and a cut pumpkin. It is presented in a contemporary frame.

Mixed technique on paper. The work is signed lower right A. Mancini, but cannot be attributed to the master Antonio Mancini, but rather to a contemporary imitator. However of good quality, it presents the face of a young commoner. It is presented in a contemporary frame.

Pendant lamp in blown glass and chromed metal.

Italy, 1930s-1940s

Twelve-light brass chandelier, Italy, 1930s-40s. Crystal teardrop pendants.

Italy, XX Century

Pair of small mirrors made up of mirrors with gilded bronze frames decorated with neoclassical motifs, such as the two vases that act as cymatiums; in the lower part there are two moving arms to support the same number of lights.

Early XX Century

Lantern wall light in glass and brass.

Italy, Early XX Century

Art Nouveau chandelier with four lights in painted brass and sheet metal, Italy, early 20th century.

Italy, Early XX Century

Gilded bronze chandelier with 8 lights, is adorned with glass pendants.

Italy, Early XX Century

Pair of gilded metal and glass lanterns, Italy, first half of the 20th century. One of the two is equipped with sheet metal leaf elements in the lower section.

Italy Third Quarter 19th Century

Neo-Gothic 24-light gilt bronze chandelier, Italy third quarter of the 19th century. Structure with a central sphere-shaped body, entirely decorated with a geometric pattern. Crystal pendants.

Copper panels decorated with enamels. This is a 19th-century reproduction of the enamelled Cross of Paschal I (817-824), an important staurotheca in embossed and gilded copper, which contained within it minute fragments of the Cross of Christ, and which became part of the Treasure placed by Leo III (795-816) in the oratory called Sancta Sanctorum in the Lateran. The Cross is made up of five panels, arranged in the shape of a Latin cross, on which seven episodes from the life of Jesus are depicted with lively enamel figures. In the upper panel are the Annunciation and the Visitation of Mary; in the centre panel is the Birth of Jesus; on the left is the Flight into Egypt and on the right is the Adoration of the Magi; and finally in the lower arm is the Presentation of Jesus at the Temple and the Baptism of Jesus. The panels are composed on a wooden base and presented in a glass case frame.