Group Of Four Chairs Baroque Chestnut Walnut Leather Italy '700
Features
Style: Baroque (1630-1730)
Age: 18th Century / 1701 - 1800
Origin: Italy
Main essence: Chestnut , Walnut
Description
Supported by legs connected by crosspieces of the characteristic spool shape, in walnut and chestnut. The seating is upholstered in leather; the leather on the backrest has been replaced in XIX century with an insert in hardbound leather, decorated with Greek frets and phytomorphic golden decorations.
Product Condition:
Fair condition. Wear consistent with age and use.
Dimensions (cm):
Height: 97,5
Width: 40
Depth: 39
Seat height: 48
Certificate issued by: Enrico Sala, expert
Additional Information
Style: Baroque (1630-1730)
Read more
The term derives from the Spanish barrueco phoneme or Portuguese barroco and literally means "shapeless pearl".
Already around the middle of the eighteenth century in France it was synonymous with uneven, irregular, bizarre, while in Italy the term was of Medieval memory and indicated a figure of the syllogism, an abstraction of thought.
This historical period was identified with the derogatory term baroque, recognizing in it extravagance and contrast with the criteria of harmony and expressive rigor to which it was intended to return under the influence of Greco-Roman art and the Italian Renaissance.
Baroque, seventeenth-century and seventeenth-century were synonymous with bad taste.
As regards furniture, freedom of ideation, need for pomp and virtuosity gave rise to a synergy destined to produce unsurpassed masterpieces.
The materials used were worthy of competing with the most astonishing tales of Marco Polo: lapis lazuli, malachite, amber, ivory, tortoiseshell, gold, silver, steel, precious wood essences and more dressed the furnishings that in shape and imagination virtually gave life to the Arabian Nights of many of our powerful people.
Typical of the period were load-bearing or accessory parts resolved with twisted column motifs, clearly inspired by Bernini's canopy of St. Peter's, parts with rich sculptural carving in high relief and even in the round within a vortex of volutes, scrolls and spirals, curved and broken profiles, cymatiums agitated by gables of articulated shape, aprons adorned with ornaments, corbels, buttresses and so on. necessary to enliven shapes and structures.
The Baroque is also the century of illusionism: lacquers and thin temperas crowd furniture and furnishings to imitate with the marbling effects of marble veining or games of veining of precious briar roots.
Find out more about the Baroque with our insights:
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Age: 18th Century / 1701 - 1800
18th Century / 1701 - 1800Main essence:
Chestnut
It is a hard, yellow-white wood, mostly used for rustic furniture. Since the Middle Ages it has been used in Europe, mainly in Spain, France and Italy. Particularly resistant, it was sometimes used to manufacture the supporting structures of fine furniture. It tends to darken over time and has good resistance to woodworms.Walnut
Walnut wood comes from the plant whose botanical name is juglans regia , probably originally from the East but very common in Europe. Light or dark brown in color, it is a hard wood with a beautiful grain, widely used in antique furniture. It was the main essence in Italy throughout the Renaissance and later had a good diffusion in Europe, especially in England, until the advent of mahogany. It was used for solid wood furniture and sometimes carvings and inlays, its only big limitation is that it suffers a lot from woodworm. In France it was widely used more than anything else in the provinces. In the second half of the eighteenth century its use decreased significantly because mahogany and other exotic woods were preferred.Other customers have searched:
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L'antiquariato dalla A alla Z: il Dizionario dell'Antiquariato
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