Pierluigi Rolando - Parsifal

Untitled

Mixed technique: reworked photograph with applications of wax and overlapping of painted plexiglass panel. Eva Petrič, an artist of Slovenian origin who currently works between New York, Vienna and Ljubljana, creates photographs, videos, performances and installations, in which the goal is to "create space", which can be a physical space, or a mental, imaginary, or metaphorical one, rather than real. In her productions, the character on which she then elaborates a particular "vision" is often herself, her body or her shadow, a theme, overlapping other different elements to create a new spatial dimension. Attached to the work, an extract from the catalogue from the exhibition of Eva Petrič at the Suppan Gallery in Vienna in 2007.

Oil on plywood

Charles Moody (1979), oil on plywood. Signed on the back. The work was exhibited at the solo exhibition "Borderland" at the Gallery 8 in Milan Corso Venezia, as evidenced by the paper to the back lable. Charles Moody graduated in 2003 at the Art Institute of Boston and, after three years in Milan, chooses to live in New York. In his art the focus at trial (conceptual art, process art) rather than to the image content and it is in this scrap that painting is at its best. An art that was created by the approval of television images (almost never films) and in particular from popular soap operas. Moody's work goes beyond the mass media image by customizing the selection for special images that, in his view, offer a potential narrative; are images of transition, moments of transition from one scene to the next. The artist uses a manual oil painting to reproduce the low quality of the tv picture extolling the "blurring" of blur. We are facing a loss of spatial dimension, in a temporality confused-diffuse-intangible which is difficult to recognize the boundaries ("Borderland"). In these perceptual distortions, in which time dilates expands, each painting represents a "indiscernibilità" in which the recognition of the object that takes second place. The time of Moody is neither Chronicle nor history but suspension. (From "Charles Moody, Borderland", curated by Gianni Romano, exhibition catalogue, CorsoVeneziaOtto, November-December 2009)