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Pair of George IV Screen Poles Satinwood Fabric England 19th Century

Code: ANTATV0108758

1,300.00
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SELECTED
Pair of George IV Screen Poles Satinwood Fabric England 19th Century

Code: ANTATV0108758

1,300.00
WITH FREE SHIPPING
1,200.00 € *
IF YOU PICK UP IN STORE
Discounted price if you collect the product in our shops in Milan and Cambiago:
* Optional choice in the cart
Add to cart
SAFE PAYMENTS
pagamenti sicuri
Request information
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Pair of George IV Screen Poles Satinwood Fabric England 19th Century

Features

Style:  George IV (1760-1830)

Age:  19th Century / 1801 - 1900

Origin:  England

Main essence:  Satinwood

Material:  Cloth

Description

Two George IV screen poles, supported by 3 curved legs, on which stands a refined baluster engaged with the pole that ends in a vase-shaped element. Two shield-shaped panels are fixed by rings and screws, so that their height can be adjusted. Made of citronnier, painted with phytomorphic motifs, the screens have embroidered fabric inserts. While in the 19th century pole screens had an ornamental function, in the 18th century they were used to shield the face from the direct heat of the fire, which could generate dangerous toxic reactions with white lead cosmetics (basic lead carbonate), widely used at the time by both men and women. The adjustable height allowed them to be customised according to the needs of the user, positioning them as a screen between their face and the fireplace.

Product Condition:
The item shows signs of wear due to age. Any damage or loss is displayed as completely as possible in the pictures. It may require restoration and recovery of french polish.

Dimensions (cm):
Height: 148
Width: 46,5
Depth: 40

Maximum size (cm):
Height: 149

With certificate of authenticity

Certificate issued by:  Enrico Sala

Additional Information

Style: George IV (1760-1830)

It is part of the so-called "Georgian" period.
This term designates the stylistic activity that took place in England between 1714 and 1830 and included the reigns of George I, George II, George III and George IV.
It is characterized, at its beginnings, by an attitude of reaction to the Baroque.
Precise characteristics and distinctions of this style are not clearly identifiable in the furniture created in England in the eighteenth century.
In the first half of this century, cabinet-making and the products of the various categories of English applied art were affected by the continuous changes in taste and manifested, in the diversity of trends and influences, the uncertainty of a precise stylistic orientation.
In the second half of the eighteenth century, the sensitivity and exceptional ingenuity of four strong personalities, destined to guide the English taste and customs of the time, intervened in the second half of the eighteenth century: Th. Chippendale, R. Adam, G. Hepplewhite and Th. Sheraton.
Find out more with our insights:
FineArt: Tallboy George II, England c.1730
FineArt: Pair of Irish Mirrors, in George III Style, second half of the 19th century

Age: 19th Century / 1801 - 1900

19th Century / 1801 - 1900

Main essence: Satinwood

The name is common in France for citrus limonum , the fruit tree of the lemon. From this plant a light, solid and fragrant wood is obtained, used in the construction of furniture especially in England and France, where it was appreciated for its resistance.

Material: Cloth

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