Group of four Art Déco Pochoir
Features
Artwork title: Gruppo di quattro pochoir
Age: 20th Century / 1901 - 2000
Subject: Human Figures
Artistic technique: Drawing
Technical specification: Pouchoir
Description : Gruppo di quattro pochoir
Pochoir technique on paper. Signed S. Chompré below. The four drawings, made with the manual coloring technique of postcards, illustrated or photographic, called pochoir, proposes four female figures in languid and relaxing attitudes. The name of S. Chompré refers to a designer who also worked a lot for the big names in fashion. In frames.
Product Condition:
Product in good condition, with small signs of wear.
Frame Size (cm):
Height: 34
Width: 30
Depth: 2
Artwork dimensions (cm):
Height: 20
Width: 20
Additional Information
Age: 20th Century / 1901 - 2000
20th Century / 1901 - 2000
Subject: Human Figures
Artistic technique: Drawing
Il disegno è il processo di tracciare segni su una superficie tramite l'applicazione di una pressione o il trascinamento di un apposito strumento sulla superficie. Gli strumenti sono: matite in grafite o colorate, penna, pennelli fini con inchiostro, pastelli a cera o carboncini; i supporti tradizionali più frequenti sono carta, cartoncino, tavola, muro, tela, rame, vetro.
Technical specification: Pouchoir
With pouchoir or pochoir is a technique of hand-colouring postcards, illustrated or photographic. The technique consists in the realization, on the basis of the areas of photography or illustration, coloring, stencils, die-cut and shaped on the inside, with a technique, we would say today, similar to the stencil (which probably borrows the name, in French pochoir) and to screen printing. These molds were made, or cardboard waterproofed with wax or with thin sheets of copper or zinc. Once you have created the shapes for each colour you followed this procedure: the shape cut out was placed over the postcard, at this point was spread to a coat of color, spray or brush; in this way, the color adhered to the parts of the postcard, without affecting the other. The effect of coloring created is often a sense of unreality to the stiffness of the colors used and the outlines coloured, often not perfectly superimposed to the contours of the figures represented.