Portrait Of A Young Girl With A Dog Pencil Charcoal White Lead 1900

Antique Reproduction of the Cross of Paschal I Copper

Copper panels decorated with enamels. This is a 19th-century reproduction of the enamelled Cross of Paschal I (817-824), an important staurotheca in embossed and gilded copper, which contained within it minute fragments of the Cross of Christ, and which became part of the Treasure placed by Leo III (795-816) in the oratory called Sancta Sanctorum in the Lateran. The Cross is made up of five panels, arranged in the shape of a Latin cross, on which seven episodes from the life of Jesus are depicted with lively enamel figures. In the upper panel are the Annunciation and the Visitation of Mary; in the centre panel is the Birth of Jesus; on the left is the Flight into Egypt and on the right is the Adoration of the Magi; and finally in the lower arm is the Presentation of Jesus at the Temple and the Baptism of Jesus. The panels are composed on a wooden base and presented in a glass case frame.

Antique Painting Landscape Oil on Canvas Europe XIX Century

Oil on canvas. Central European school of the late 19th-early 20th century. Unidentified signature on the lower right. The landscape glimpse shows a countryside with coniferous woods, crossed by a stream and dominated by rocky peaks. The painting is presented in a golden frame from the early 20th century, with decorations and friezes.

Antique Painting with Mountain Landscape Oil on Canvas 1894

Oil painting on canvas. Bottom right signed Borella and dated 1894. It is probably Rafael Borella (1874 -1953), a painter born and trained in Milan but then moved to Uruguay. His first Italian production includes Venetian and Val d'Aosta landscapes. This painting, which offers a mountain view, with meadows crossed by a stream near which a fisherman sits. The scene could therefore be a youthful production by Borella, suited to him in terms of subject and style. The work is presented in a contemporary frame.

Antique Painting H. Clifford Warren Watercolour and Pencil 1878

Landscape with River and Figures 1878

Watercolor and pencil on paper. Signed and dated lower left. We know of several landscape views of the English countryside by the English painter Henry Clifford Warren, mostly painted in watercolour. Here is a view of a wooded countryside crossed by a wide river, with a shepherd leading his cows to graze on the hill in the foreground. Presented in a frame.

Antique Painting Still Life with Prey Oil on Wooden Board 800

Oil on panel. Northern European school of the late 19th century. In the composition inside a shed, hunted game lies on a level; on the left the muzzle of the hunting dog appears but is turned towards a nest full of chirping birds, located above the shaft of the carriage seen on the right. The painting is presented in a period frame.

Antique Painting Cromolithography on Paper The Virgin Mary '800

Chromolithography on paper, enriched by silver metal applications that define the halos of the Virgin and Child. The oval lithograph is also placed in a display case which is also exquisitely enriched with silver and gilded metal inserts, which define further frames with purely floral motif decorations. The representation presents the Madonna holding the rosary crown in her hand and the Baby Jesus in her arms, flanked on the sides by two saints of the Dominican order. The further frame with glass is made of wood with golden carvings.

Antique Painting Signed F. Mazzucchi Religious Subject XIX Century

Madonna with Child

Oil on hardboard. Signed lower right. Francesco Mazzucchi, an artist originally from the Pavia area and active in Lombardy, dedicated himself mainly to sacred art, leaving his works in some churches in the Vigevano area. Proposed here is this delicate and tender depiction of the Madonna with Child, in the colors and scene, which sees mother and son in a moment of domestic intimacy, intent on playing with the pigeons in the garden. In frame.

The Tragic Return Oil on Canvas Late 1800s

Oil on canvas. It probably depicts a tragic anti-Semitic event. On the right, a wounded soldier in Russian uniform is witnessing the dramatic scene of a slaughtered family while the rabbi is preying for them. The broken window and the upside down drawers make clear that the killers broke into the house. On the left of the mirror, there is a Jewish writing that may suggest the location. The word may be translated as 'Ciro' and may be referring to the areas of Georgia and Azerbaijan near the Kura (river flowing from Turkey to the Caspian Sea, known as 'Ciro' in 1800s). The painting, restored and relined, is presented in a frame of the 1800s.

Antique Painting Religious Subject Oil on Wooden Board Italy '800

Oil on wooden board. The painting pictorially reproduces the famous sculpture by Michelangelo, the Pietà of San Pietro or Pietà Vaticana. The composition of the figures is quite faithful to the reference work, but, as well as being painted in colour, it is placed in an open-air setting that refers to Renaissance painting, with the hill of Calvary emerging in shadow on the left. A coat of arms is painted at the bottom left, evoking a noble patronage. The work is presented in a period frame. It has several spots and small drops of color.

Portrait Of A Young Woman Pencil On Paper 19th Century

Pencil on paper. Good use of the hatching and chiaroscuro are shown in this portrait of a young woman. The portrait comes with a 19th century wooden frame that had beeen embellished with leafy and floral leather inserts; the frame has some color drops and some missing parts.

Portrait Of A Young Woman Pencil Charcoal Withe Lead On Paper 1858

Pencil, charcoal and white lead on paper. Signed (Amalia Bianchi?) and dated at the bottom right. Very effective is the use of different pigments that creates a play of chiaroscuri that underlines the figure. The portrait come in a 19th century wooden frame with leather leafy and floral inserts; it has missing parts and color drops.

Antique Painting Portraits Pencil on Paper Italy 1883

Pencil on paper. Bottom right, on both, the writing "Pietro Mulazzi sketched", with the date 1883. By an unknown artist but skilled in the use of pencils, these are the portraits of a bourgeois couple, whose gray faces emerge clearly from the paper background red. They are presented in contemporary gilded frames, with several shortcomings (to be restored).