Egisto Angolo Pair of Lamps by Artemide Metal Glass Italy 1980s

Tarasp Castle 1960

Oil on cardboard. Signed and dated lower right. The Roman artist Cesare Maggi established himself as a landscape painter of the divisionist style, portraying Alpine landscapes of the Engadine and Aosta Valley, often enlivened by the inclusion of figures and animals. Having become friends with the painter Giacomo Grosso in Turin in 1901, he then successfully turned to the portrait genre, setting aside the divisionist technique. Although he still preferred high mountain views, he expanded his subjects by also working on marine and still life paintings. Shown here is the snow-covered glimpse of Tarasp Castle, an 11th-century fortress in Lower Engadine, Switzerland. This is a late work by the artist, who remained attached to his favorite subject, the Alpine landscape, until the end, despite having now abandoned the divisionist technique of his early period. The work is presented in a period frame.

The Angel of Death 1979

Oil on hardboard. Signed and dated lower left. Further signature, date and title on the back. Angelo Peratici's artistic production is characterized by a desire for expressive freedom that draws on his fervent imagination to represent reality. Starting from this innate impulse to transfigure reality, his art has transformed into a laborious research process, fertile with metaphorical and visionary images, sometimes grotesque, eccentric, which we see realized in particular in the production of the early 80s.

Semi-rigid handbag from the 80s in very good condition. It is in dark brown leather and light pony skin with red fabric interior.

Italy, 1980s

Trumpet shaped vase in white and colorless scavo glass. Tubular band applied hot at the base.

France, Late XIX-Early XX Century

Bronze table clock with leafy scroll decoration and amphora at the top. Residues of gilding are visible on the back. Dial with Roman numeral hours and mechanism marked Japy Frères Medaille d'Honneur.

Floral Arrangement of Red Roses

Oil on canvas. Signed lower right. Alfio Paolo Graziani chose the faithful transposition of reality on his canvases, creating almost hyper-realistic compositions for the precision in reproducing the various materials and surfaces, as well as the effects of the light incident on them. Nicknamed "Prince of Flowers" for the abundant production of floral compositions, he also created landscapes, portraits and still lifes. Presented here is a bright bouquet of red roses, arranged in a decorated ceramic vase. The work is presented in a period frame.

Ferragamo bag dating back to the 80s. It is in white leather with camel-colored inserts and brogue workmanship. The conditions are very good, it has stains that do not preclude its use.

Dining table model "Eta Beta" with glass top and four pairs of metal legs; furniture designed in 1978 by Marco Zanuso for Zanotta.

Handbag in very soft chocolate-colored quilted leather, with gold metal closure and handle, two internal compartments and a zip pocket. The production is Figini, a leather goods company that began producing high-quality footwear at the end of the 19th century, with a limited production of bags.

Glass table lamp.

Italy, 1930s

Polychrome majolica tea set consisting of a teapot, sugar bowl, milk jug and six cups with saucers. Decorated with a daisy motif and stylised figures in calligraphic style. Under the bases the brand of the manufacturer "la casa dell'arte".