Small Chest Late Renaissance Veneto Italy Early XVIII Century
Small Chest Late Renaissance Veneto Italy Early XVIII Century

Italy, Early XVII Century

Code: ANMOAL0178560

1,110.00
WITH FREE SHIPPING
1,050.00 € *
IF YOU PICK UP IN STORE
Discounted price if you collect the product in our shops in Milan and Cambiago:
* Optional choice in the cart
Add to cart
SAFE PAYMENTS
pagamenti sicuri
Request information
Book a date
Small Chest Late Renaissance Veneto Italy Early XVIII Century

Italy, Early XVII Century

Code: ANMOAL0178560

1,110.00
WITH FREE SHIPPING
1,050.00 € *
IF YOU PICK UP IN STORE
Discounted price if you collect the product in our shops in Milan and Cambiago:
* Optional choice in the cart
Add to cart
SAFE PAYMENTS
pagamenti sicuri
Request information
Book a date

Small Chest Late Renaissance Veneto Italy Early XVIII Century - Italy, Early XVII Century

Features

Italy, Early XVII Century

Style:  Renaissance (1460-1630)

Age:  17th Century / 1601 - 1700 , 16th Century / 1501 - 1600 , 15th Century / 1401 - 1500

Origin:  Alto Veneto, Italy

Main essence:  Walnut

Material:  Carved Wood

Description

Late Renaissance Alto-Veneto walnut box, Italy early 17th century. Top with perimetric fret pattern, decorated internal border, front carved with fret pattern, phytomorphic spirals and central coat of arms motif. Crosspieces under the top missing, hinges replaced, feet added later.

Product Condition:
Product that due to age and wear requires restoration and re-polishing. We try to present the real state of the furniture as fully as possible with photos. If some details are not clear from the photos, what is reported in the description will prevail.

Dimensions (cm):
Height: 19
Width: 41
Depth: 26

Additional Information

Style: Renaissance (1460-1630)

During the Renaissance, furniture took on architectural forms, perfect proportions, and was adorned with rationally arranged decorations, taken from Greco-Roman iconography.

Supports and feet carved in the shape of an acanthus leaf or a lion's paw appeared at least from the early 1460s.

Alongside parallelepiped chests, others appeared in the shape of a classical sarcophagus, with surfaces marked by ornamental metrics rigidly disciplined within pilasters and frames.

The novelty of the sculptural carving decoration derived from archaeological remains triumphs, decoded and reworked stylistic elements in different compositional harmonies arranged in alternating games of dentils, ovules, volutes, acanthus-shaped spirals, loricature, strigliature, grotesque candelabras, and the entire pantheon of pagan mythology comes to life again, in particular to decorate chests, which from their initial function as containers for the wedding dowry take over the new instance of real parade furniture.

It is worth remembering that the displayed furniture was generally richly embellished with gold leaf gilding.

In the first decades of the sixteenth century the use of Certosina inlay definitively faded away, although even in the Renaissance this technique had great fame, just think of the activity of the Tasso workshop in Florence.

Learn more about the Renaissance style with our insights:

The Renaissance style
A pair of candle holders between the Renaissance and Baroque
FineArt: The Renaissance
FineArt: Renaissance Cassina gilded, Belloni family – Venice, 16th century
The dictionary of antiques - Savonarola

INSERT ADDITIONAL LINKS

The Austrian taste of Baroque
The history of furniture in the Renaissance

Age:

17th Century / 1601 - 1700

17th Century / 1601 - 1700

16th Century / 1501 - 1600

16th Century / 1501 - 1600

15th Century / 1401 - 1500

15th Century / 1401 - 1500

Main essence: Walnut

Walnut wood comes from the plant whose botanical name is juglans regia , probably originally from the East but very common in Europe. Light or dark brown in color, it is a hard wood with a beautiful grain, widely used in antique furniture. It was the main essence in Italy throughout the Renaissance and later had a good diffusion in Europe, especially in England, until the advent of mahogany. It was used for solid wood furniture and sometimes carvings and inlays, its only big limitation is that it suffers a lot from woodworm. In France it was widely used more than anything else in the provinces. In the second half of the eighteenth century its use decreased significantly because mahogany and other exotic woods were preferred.

Material: Carved Wood

Product availability

The product can be seen at Cambiago

Immediate availability
Ready for delivery within 2 working days from ordering the product.

Alternative proposals
It could also interest you