Pair of Baroque Cabinets Walnut Italy XIX Century - Italy Second half of the 19th century

Etienne Lenoir Henry Dasson attributable to

Table clock with bronze candlesticks. pierced decorations, plant patterns, garlands and festoons. Metal vise with roman numbers for hours and iron hands. Branded Japy Freres medaille d'honneur & C.ie. The candlesticks have 4 flames and are 43 cm high. Not coeval charging key.

Switzerland First Half of the XIX Century

Neuchateloise clock with shelf in ebonized wood with gilded profiles and feet. Decorations with vegetable motifs in gold. Enamelled metal display with Roman numeral hours and Arabic numeral minutes; in the center of the dial brand of the manufacture.

Europe XIX Century

Group of ten glasses in ground glass of different manufactures, shapes and colors. They have rich decorations in gold and polychrome; in the reserves there are refined paintings with female busts, figures and hunting scenes.

Camillo Borghese

The gilt bronze mantel clock has a base decorated on the front with leafy phytomorphic motifs and a central floral element, and is supported by elaborate spinning top feet that streamline its shape. On the base rests a large plinth in which the dial is housed and on the side the figure of a young man leaning against the plinth. The display of the clock in Roman numerals for the hours and Arabic numerals for the minutes bears the writing at the top “Lu. Lacroix H.er. " and under the heading "De S. A. I. Lu Prince Camille, A Turin". Under the dial, in gilded and chiseled bronze, there is a panoply with a basket overflowing with fruit and vegetables, above which a shovel and a lituo are crossed and from which two rich vegetable garlands hang; on the side a mask with female features within a crown consisting of two cornucopias and laurel branches. To the left of the plinth there is a young man with a short cassock and a long shovel held in his hands, in a relaxed attitude and leaning with his left arm against the structure of the clock, above which a bagpipe is placed. The mechanism is original. to the wind. The quadripartite tops, always in striped walnut, have an almond-shaped reserve in the center with floral decorations that is started inside by two fans and a central rose window. The feet are in the shape of a truncated pyramid.

Italy, Late XIX Century

Pair of portrait frames in bronze and semi-precious stones Enrico Bosi Florence. Enrico Bosi was active between 1850 and 1865 in Florence where he had his studio. He often worked together with other important figures such as Francesco Betti, Bianchini and the Buoninsigni brothers.