Antique Baroque Chest of Drawers Walnut 4 Drawers XVIII Century

Piedmont, Early XVIII Century

Code: ANMOCA0244165

1,050.00 €
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Antique Baroque Chest of Drawers Walnut 4 Drawers XVIII Century

Piedmont, Early XVIII Century

Code: ANMOCA0244165

1,050.00 €
WITH FREE SHIPPING
900.00 € *
IF YOU PICK UP IN STORE
Discounted price if you collect the product in our shops in Milan and Cambiago:
* Optional choice in the cart
Add to cart
SAFE PAYMENTS
pagamenti sicuri
Request information
Book a date

Antique Baroque Chest of Drawers Walnut 4 Drawers XVIII Century - Piedmont, Early XVIII Century

Features

Piedmont, Early XVIII Century

Style:  Baroque (1630-1730)

Age:  18th Century / 1701 - 1800

Origin:  Piemonte, Italy

Main essence:  Cherry ,  Walnut ,  Poplar ,  Olive

Material:  Walnut Slab , Olive Slab , Ebony Wood

Description

Baroque chest of drawers veneered in walnut, Piedmont, early 18th century. Shaped top embellished with olive wood border, front of four drawers decorated with cherry tiles, also present on the sides. Rounded uprights, chains and moldings of the top and drawers in ebonized wood. Poplar interior. Handles replaced.

Product Condition:
Product which due to age and wear requires restoration and re-polishing. We try to present the real state of the furniture as completely as possible with photos. If some details are not clear from the photos, what is stated in the description applies.

Dimensions (cm):
Height: 99
Width: 132,5
Depth: 57

Additional Information

Style: Baroque (1630-1730)

Read more

The term derives from the Spanish barrueco phoneme or Portuguese barroco and literally means "shapeless pearl".

Already around the middle of the eighteenth century in France it was synonymous with uneven, irregular, bizarre, while in Italy the term was of Medieval memory and indicated a figure of the syllogism, an abstraction of thought.

This historical period was identified with the derogatory term baroque, recognizing in it extravagance and contrast with the criteria of harmony and expressive rigor to which it was intended to return under the influence of Greco-Roman art and the Italian Renaissance.

Baroque, seventeenth-century and seventeenth-century were synonymous with bad taste.

As regards furniture, freedom of ideation, need for pomp and virtuosity gave rise to a synergy destined to produce unsurpassed masterpieces.

The materials used were worthy of competing with the most astonishing tales of Marco Polo: lapis lazuli, malachite, amber, ivory, tortoiseshell, gold, silver, steel, precious wood essences and more dressed the furnishings that in shape and imagination virtually gave life to the Arabian Nights of many of our powerful people.

Typical of the period were load-bearing or accessory parts resolved with twisted column motifs, clearly inspired by Bernini's canopy of St. Peter's, parts with rich sculptural carving in high relief and even in the round within a vortex of volutes, scrolls and spirals, curved and broken profiles, cymatiums agitated by gables of articulated shape, aprons adorned with ornaments, corbels, buttresses and so on. necessary to enliven shapes and structures.

The Baroque is also the century of illusionism: lacquers and thin temperas crowd furniture and furnishings to imitate with the marbling effects of marble veining or games of veining of precious briar roots.

Find out more about the Baroque with our insights:

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YouTube - Pillole di storia del mobile ep1: il Baroque

Age: 18th Century / 1701 - 1800

18th Century / 1701 - 1800

Main essence:

Cherry

Obtained from prunus cerasus , a plant of oriental origin, it is a hard wood with a light and delicate color, with a reddish vein. Due to its diffusion and availability it was used in Europe in popular furniture. In cabinet making, in the seventeenth century, it was widely used in France and England for inlay work. In Italy it was very successful in Lucca. It was also very popular in the United States for the manufacture, from the late 1600s, of commonly used furniture.
The dictionary of antiques: Eclecticism
Classic Monday: a sofa from the 1800s example of eclecticism

Walnut

Walnut wood comes from the plant whose botanical name is juglans regia , probably originally from the East but very common in Europe. Light or dark brown in color, it is a hard wood with a beautiful grain, widely used in antique furniture. It was the main essence in Italy throughout the Renaissance and later had a good diffusion in Europe, especially in England, until the advent of mahogany. It was used for solid wood furniture and sometimes carvings and inlays, its only big limitation is that it suffers a lot from woodworm. In France it was widely used more than anything else in the provinces. In the second half of the eighteenth century its use decreased significantly because mahogany and other exotic woods were preferred.

Poplar

Essence considered "poor", it is a white wood, with yellowish or greyish shades, light and tender, which is easily damaged. It is used for rustic furniture or in the construction of furniture. The most valuable use it has had in the history of furniture is in Germany, in the 19th century, for veneers and inlays in the Biedermeier period.

Olive

Extracted from the plant called olea europaea which lives throughout the Mediterranean lands, it is a hard and compact wood. It has a characteristic light color, greenish yellow, with particular dark veins. It is widely used in cabinet making both as a solid wood for entire pieces of furniture and for inlays, veneers and decorations. Being very hard, it is also suitable for turning and for the manufacture of small objects. -

Material:

Walnut Slab

Olive Slab

Ebony Wood

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