Wooden Table Clock - Europe Late 19th Century Early 20th Century

Painting of Lady's Face

Oil on canvas. Face of a lady, depicted in profile, with a dangling earring and a charming hairstyle adorned with a large pink bow, which softens the severity of the dark dress and serious expression. The painting is presented in a period frame.

Painting by Antonio Basoli attributed to

Interior of the Temple of God Brahma

Watercolor, ink and pencil on paper. Applied to cardboard, on which at the bottom appears the owner's pencil inscription "Inventions, interior of the temple of the god Brama. Original by Professor Antonio Basoli". Also present, at the bottom right, is the stamp "Professor Antonio Basoli". Given his long career as a teacher at the Academy of Fine Arts in Bologna, it can be assumed that one of his students became the owner of this drawing by Basoli, probably a scenographic sketch. Antonio Basoli established himself as a scenographer and decorator. Thanks to his creativity, he was able to integrate the Bolognese scenographic traditions with new trends, such as the neoclassical style and romantic vedutism. His scenographic production, documented in the collection of booklets of the Biblioteca Marucelliana in Florence from 1808 to 1820, was very vast, as demonstrated by his numerous sketches preserved mostly in Bologna, Milan and Florence. The drawing is presented in a period frame.

Painting by Vittorio Agostino Castagneto

Still life

Oil on canvas. Signed lower right. The composition features a vase of flowers, a silver metal bowl and a small framed painting resting on a dresser, on a shaded background. The artist, originally from Liguria but trained in Turin, devoted himself mainly to landscapes and portraits, but also created several still lifes: his works are dominated by the luministic dimension, created with plays of shaded and blending colors into each other. The work is presented in a contemporary frame.

Antique Painting Signed Alphonse Monchablon Female Portrait 1896

Female Portrait, 1896

Oil on canvas. Signed and dated lower left. The young woman, dressed in white, is portrayed outdoors, sitting on a flowery meadow overlooking a sea coast, with the sky and sea blending into a chromatic uniformity of dark blue, against which the whiteness of the white dress stands out. Alphonse Monchablon was an important 19th-century French portraitist, who depicted several important historical figures. In this portrait of an unknown girl, Monchablon departs from the academic approach of formal official portraits, to give a more poetic connotation to the sweet and melancholic figure. The painting has been restored. It is presented in a contemporary frame, with floral decoration.

Painting by Giovanni Buffa

Pastoral Scene with Saint and Lamb

Oil on canvas. Signed lower right. In the large painting, a young woman with a halo is encircling the neck of a lamb with a wreath of flowers; the two figures are placed in a meadow full of flowering bushes, part of a verdant plain that extends to the mountain peaks in the distance. The girl, completely dressed in red, wears a halo on her head: this symbol and the presence of the lamb refer to Saint Agnes, traditionally depicted with this animal symbol of purity; the red of her dress may indicate the martyrdom of the young girl. It is the landscape setting that makes the depiction of the saint particular and unusual, who becomes the central element of the large landscape. Giovanni Buffa, a painter, sculptor and decorator active in Milan, became famous above all for his historiated stained glass windows, created alone or in collaboration with the famous company Beltrami & C. – Artistic stained glass, an almost absolute protagonist of the very brief season of national Liberty in this sector, specialized in the execution of stained glass windows of both a sacred and profane nature. Buffa contributed in particular with the creation of preparatory cartoons for many stained glass windows of the Milan Cathedral and other national churches. His pictorial production includes several portraits of people, especially Milanese, but also some genre scenes in exteriors, in cities or in naturalistic settings.

Modern Painting Signed L. Gignus Oil on Canvas XX Century

Landscape with Figures

Oil on canvas applied to board. Signed lower left. On the back there is a cartouche with expert authentication dated 1944 and signed by a Milanese art critic. In the vast plain, green but with few trees, which recalls the Lombard plains, two farmers work near a pond, close to their farmhouse; in the background you can glimpse the mountain peaks of the Alpine chain. The subject is part of the production of strong naturalistic matrix of the painter, born in Modena but artistically raised in Milan and its surroundings, places that were frequent themes of his landscape production. The painting is presented in a period frame.

Antique Painting Female Portraits Oil on Canvas 1891

Oil on canvas. At the bottom right are the unidentified signature (partially erased), the location Rome and the date 1841. The portrait of this pair of women, presumably mother and daughter, is singular: the older woman is dressed strictly in black, in mourning, and her gaze is lost in the distance, chasing memories of her life, detaching herself from the present; the young woman, on the other hand, at the centre of the scene, is elegant and lively, in a pink dress and a precious white and gold satin cloak, with a white fur collar, a bunch of flowers in her hand; although leaning on the shoulder of the older woman, whom she holds under her arm with a confidential but also protective attitude, she displays a confident and determined expression, staring straight ahead towards the viewer, or perhaps reaching out towards the future that awaits her. Restored and relined, the painting is presented in a period frame.

Antique Painting Winter Landscape Oil on Canvas '700-'800

Oil on canvas. The wide view frames a snowy mountain landscape, with a wide valley under sharp peaks, in which a small lake opens up; small figures of wayfarers walk along the path that starts from the village on the left. The whiteness of the snow creates a muffled and luminous atmosphere, in contrast with the dark cloudy sky. The painting is presented in a golden frame from the early 1900s.

Modern Painting Drawing Signed Augusto Colombo Charcoal Italy 1943

Study of a Figure 1943

Charcoal on rough white paper. At the bottom right the artist's initials and the date 9-V-943. On the back there is a paper label with the data of the work. This is a preparatory sketch for a figure from the composition "The Wedding at Cana", created in the same year. Painter, art teacher, exponent of twentieth-century Italian figurative painting, as well as a militant anti-fascist (he was a partisan), Augusto Colombo during the years of the Second World War executed a series of works depicting the horrors of war, but also various sacred subjects. In Colombo the rejection of the post-impressionist tradition was total, as he designed each painting as a story, constructed by the composition of gestures and details, but without losing synthesis. His stylistic choice favored the large composition, where the human architecture builds, gradually, the larger architecture of the story. The sketch proposed here emphasizes the vigor of the figures painted by Augusto Colombo, where the physical structure underlines and highlights the gesture. The drawing is presented in a frame.

Antique Painting Signed Pietro Lucchini Oil on Canvas Italy 1842

Portrait of a Young Woman, 1842

Oil on canvas. Signature, date and location Milan on the lower left. The young woman portrayed is very elegant in her blue satin dress embellished with delicate lace, she sits on an elegant armchair; smiling, she looks at the viewer with intensity, showing off her beauty. There is an uncertain identification of the woman as Clementina Marchetti Grillo, a young noblewoman from Lecco, of whom there is another portrait by the same Luchini. The work is presented in a gilded frame from the second half of the 19th century, with missing parts (to be restored).

Antique Painting Signed Angelos Giallinas Watercolor on Paper '800

View of Corfu with a Small Church and a Monk

Watercolor on paper. Signed lower left. Angelos Giallinas, born in Corfu, was known for his numerous views of his native island, although his landscape production includes glimpses of Greece, other Greek islands, Italian and oriental cities. His watercolor glimpses are pervaded by a suspended, veiled atmosphere. The painting has slight scratches. Framed.