Drop-Leaf Secretaire Baroque Walnut Veneer Fir Maple Verona Italy 1700

Code: ANMORI0107526

not available
Drop-Leaf Secretaire Baroque Walnut Veneer Fir Maple Verona Italy 1700

Code: ANMORI0107526

not available

Drop-Leaf Secretaire Baroque Walnut Veneer Fir Maple Verona Italy 1700

Features

Style:  Baroque (1630-1730)

Age:  18th Century / 1701 - 1800

Origin:  Verona, Italy

Main essence:  Silver Fir Maple Walnut

Description

Baroque drop-leaf secretaire of Veronese origin, supported by shelf shaped feet carved with volutes, on the curved front, it has three drawers surmounted by a flap door that can be open and conceals a cabinet with small drawers and secrets; in the characteristic broad shoulders there are two other small drawers. Walnut veneer with maple threads and walnut burl reserves; fir interior.

Product Condition:
The item shows signs of wear due to age. Any damage or loss is displayed as completely as possible in the pictures. It may require restoration and recovery of french polish. Product with a Certificate of Authenticity and Lawful Origin.

Dimensions (cm):
Height: 109,5
Width: 121
Depth: 62

With certificate of authenticity

Certificate issued by:  Enrico Sala

Additional Information

Style: Baroque (1630-1730)

Read more

The term derives from the Spanish barrueco phoneme or Portuguese barroco and literally means "shapeless pearl".

Already around the middle of the eighteenth century in France it was synonymous with uneven, irregular, bizarre, while in Italy the term was of Medieval memory and indicated a figure of the syllogism, an abstraction of thought.

This historical period was identified with the derogatory term baroque, recognizing in it extravagance and contrast with the criteria of harmony and expressive rigor to which it was intended to return under the influence of Greco-Roman art and the Italian Renaissance.

Baroque, seventeenth-century and seventeenth-century were synonymous with bad taste.

As regards furniture, freedom of ideation, need for pomp and virtuosity gave rise to a synergy destined to produce unsurpassed masterpieces.

The materials used were worthy of competing with the most astonishing tales of Marco Polo: lapis lazuli, malachite, amber, ivory, tortoiseshell, gold, silver, steel, precious wood essences and more dressed the furnishings that in shape and imagination virtually gave life to the Arabian Nights of many of our powerful people.

Typical of the period were load-bearing or accessory parts resolved with twisted column motifs, clearly inspired by Bernini's canopy of St. Peter's, parts with rich sculptural carving in high relief and even in the round within a vortex of volutes, scrolls and spirals, curved and broken profiles, cymatiums agitated by gables of articulated shape, aprons adorned with ornaments, corbels, buttresses and so on. necessary to enliven shapes and structures.

The Baroque is also the century of illusionism: lacquers and thin temperas crowd furniture and furnishings to imitate with the marbling effects of marble veining or games of veining of precious briar roots.

Find out more about the Baroque with our insights:

FineArt: The Baroque

Classic Monday: a double-body sideboard, late Venetian Baroque

Classic Monday: a pair of candle holders between the Renaissance and Baroque

Classic Monday: a pair of mirrors between Baroque and Late Baroque

Classic Monday: a superb Austrian Baroque console table

YouTube - Pillole di storia del mobile ep1: il Baroque

Age: 18th Century / 1701 - 1800

18th Century / 1701 - 1800

Main essence:

Silver Fir

Soft coniferous wood, used for rustic furniture or to build the chest, that is the structure, of furniture then veneered in more precious woods. It has been used since ancient times, its most valuable use is, in the Spruce variant, in the inlays of French antique furniture of the '700 . The spruce, more typical of northern Europe, in Italy grows mainly in the Eastern Alps at altitudes above 1300 m. The noblest use of this essence was in the construction of violins, guitars and cellos: Stradivari himself produced his famous violins with this wood.

Maple

Hard, light wood used for inlays. It grows mainly in Austria, but it is widespread throughout the northern hemisphere, from Japan to North America, passing through China and Europe. It is one of the lightest woods ever, tending to white, it is similar to lime or birch wood. The briar is used in the production of ancient secretaires .

Walnut

Walnut wood comes from the plant whose botanical name is juglans regia , probably originally from the East but very common in Europe. Light or dark brown in color, it is a hard wood with a beautiful grain, widely used in antique furniture. It was the main essence in Italy throughout the Renaissance and later had a good diffusion in Europe, especially in England, until the advent of mahogany. It was used for solid wood furniture and sometimes carvings and inlays, its only big limitation is that it suffers a lot from woodworm. In France it was widely used more than anything else in the provinces. In the second half of the eighteenth century its use decreased significantly because mahogany and other exotic woods were preferred.
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