Ancient Portrait Oil on Canvas Lomabrd School Gilded Frame

Landscape with River and Figures 1878

Watercolor and pencil on paper. Signed and dated lower left. We know of several landscape views of the English countryside by the English painter Henry Clifford Warren, mostly painted in watercolour. Here is a view of a wooded countryside crossed by a wide river, with a shepherd leading his cows to graze on the hill in the foreground. Presented in a frame.

Oil on panel. Northern European school of the late 19th century. In the composition inside a shed, hunted game lies on a level; on the left the muzzle of the hunting dog appears but is turned towards a nest full of chirping birds, located above the shaft of the carriage seen on the right. The painting is presented in a period frame.

Chromolithography on paper, enriched by silver metal applications that define the halos of the Virgin and Child. The oval lithograph is also placed in a display case which is also exquisitely enriched with silver and gilded metal inserts, which define further frames with purely floral motif decorations. The representation presents the Madonna holding the rosary crown in her hand and the Baby Jesus in her arms, flanked on the sides by two saints of the Dominican order. The further frame with glass is made of wood with golden carvings.

Madonna with Child

Oil on hardboard. Signed lower right. Francesco Mazzucchi, an artist originally from the Pavia area and active in Lombardy, dedicated himself mainly to sacred art, leaving his works in some churches in the Vigevano area. Proposed here is this delicate and tender depiction of the Madonna with Child, in the colors and scene, which sees mother and son in a moment of domestic intimacy, intent on playing with the pigeons in the garden. In frame.

Oil on wooden board. The painting pictorially reproduces the famous sculpture by Michelangelo, the Pietà of San Pietro or Pietà Vaticana. The composition of the figures is quite faithful to the reference work, but, as well as being painted in colour, it is placed in an open-air setting that refers to Renaissance painting, with the hill of Calvary emerging in shadow on the left. A coat of arms is painted at the bottom left, evoking a noble patronage. The work is presented in a period frame. It has several spots and small drops of color.

Pencil on paper. Good use of the hatching and chiaroscuro are shown in this portrait of a young woman. The portrait comes with a 19th century wooden frame that had beeen embellished with leafy and floral leather inserts; the frame has some color drops and some missing parts.

Pencil, charcoal and white lead on paper. Signed (Amalia Bianchi?) and dated at the bottom right. Very effective is the use of different pigments that creates a play of chiaroscuri that underlines the figure. The portrait come in a 19th century wooden frame with leather leafy and floral inserts; it has missing parts and color drops.

Burin engravings on copper. Designed by Vincenzo Gazzotto and engraved by Antonio Bernati (1792-1873) in 1833, these are four engravings taken from the figurative repertoire "The costume of all nations and of all times, described and illustrated with an atlas" published by Lodovico Menin between 1833 and 1843. Each panel is numbered in the upper right corner, and bears in the upper center the indication of the geographical region and historical period of the costume scenes depicted. There are costumes: Lombardi sec. IX - X; Lombardi sec. XIV -XV; Tuscans sec. XIII-XIV; Marca Trevigiana sec. XIV. The engravings are presented in wooden frames from the mid-1900s, in an antique style.