Console Barocchetta Genovese, Antiques, Console, dimanoinmano. It
Baroque Console Marble Wood - Italy XVIII Century

Code: ANTACO0131480

not available
Add to cart
SAFE PAYMENTS
pagamenti sicuri
Request information
Book a date
Baroque Console Marble Wood - Italy XVIII Century

Code: ANTACO0131480

not available
Add to cart
SAFE PAYMENTS
pagamenti sicuri
Request information
Book a date

Baroque Console Marble Wood - Italy XVIII Century

Features

Style:  Barocchetto (1720-1770)

Age:  18th Century / 1701 - 1800

Origin:  Genova, Italy

Material:  Gilded Wood , Carved Wood , Green Marble

Description

Genoese baroque console in carved, carved and gilded wood with green alps marble top. Wooden structure richly carved with rocaille motifs and floral elements; wavy legs ending in a curl connected by a central cross. Redeveloped during the nineteenth century.

Product Condition:
Product that due to age and wear requires restoration and resumption of polishing.

Dimensions (cm):
Height: 94
Width: 153
Depth: 73

Additional Information

Notes historical bibliographic

The console can be traced back to the production of Genoese furniture referable to the same type of the model depicted in a drawing for the wall of a gallery, made by Gregorio Petondi and dated to 1770, contained within the volume "Il mobile in Liguria "by Avar González-Palacios. Gregorio Petondi (Castel San Pietro, 1732 - Genoa, 1817) was a Swiss architect, active in Genoa at the end of the eighteenth century.

Style: Barocchetto (1720-1770)

This term refers, specifically to furniture, to a part of the production carried out in Italy in the period between the Rococo era and the first phase of neoclassicism.

It is characterised by the formal and decorative structure still rigidly in adherence to the dictates dear to the Baroque period (hence the term barocchetto) and to the Louis XIV fashions and yet the new times can be seen in the adoption of smaller volumes, more elegant decorative modules, often directly inspired by French fashion, but always executed with rigorous principles of ornamental symmetry.

The tendency to assimilate formal and volumetric innovations but not to incorporate their ornamental elaboration finds a natural explanation in Italy in the fact that in this century the great aristocracy is experiencing an unstoppable political and economic decline.

If in the previous century there was a great profusion of furnishings intended to decorate recently built homes, to proudly show the power of the commissioning family, in In the 18th century, the focus was on updating the building with only the furniture strictly necessary for the new needs imposed by fashion or functional needs.

The old scenographic apparatus was maintained and the new must not contrast too much.

Find out more about the Barocchetto with our insights:
Classic Monday: discovering the Barocchetto
Classic Monday: between Baroque and Baroque
Classic Monday elegant and unusual with two Baroque balustrades
FineArt: Pair of Late Baroque Chairs, Venice
Emilian chest of drawers, first quarter of the 18th century, early Late Baroque
Urn shelf, Milan, mid-18th century

INSERT ADDITIONAL LINKS:
Classic Monday: The Austrian Taste of Baroque
Classic Monday: Pietro Longhi's Baroque
Classic Monday: The Sculptures of the Italian Baroque

Age: 18th Century / 1701 - 1800

18th Century / 1701 - 1800

Material:

Gilded Wood

Carved Wood

Green Marble

Alternative proposals
It could also interest you