Antique Countertop Clock Gilded Bronze France XIX Century - France, Second Half XIX Century

Bust Of A Woman White Carrara Marble Italy Second Half 19th Century

The bust portrays a noble woman, richly dressed. Certainly a portrait, as can be seen from the detailed physiognomic characteristics of the face; the depicted subject has a stern gaze and attitude, an element that characterizes the portrait sculpures of the time. The hair are tied on the back of her head in an elaborate hairstyle with braids. The neck is adorned with a necklace with a medallion in the centre and multiple strings of pearls. She is wearing an off-the-shoulder dress, refined with a thin lace hem and a bow in the middle of her chest. The sculptor has great skills with the use of a chisel to refine details and the texture of fabrics.

Group of 4 Antique Corner Cupboards Louis Philippe Wood Italy XIX Cent

Italy Mid 19th century

Group of 2 Louis Philippe corner cupboards in Maple, Italy mid 19th century. Raised shaped and carved in curls, embellished with reserves with perimeter frames; white marble tops, wavy front with glass doors, internal compartments equipped with mercury mirrors. Inlaid with Charles X motifs in walnut and decorated on the uprights with leaf and floral carvings. Changes and replacements.

Ancient Corner Cupboard Rococo Revival Painted Wood XIX Century

Venice, Late XIX Century

Corner cupboard in lacquered and gilded wood with four mirrored shelves. Carved decoration with curl and rocaille motifs. Lacquered and painted surface with floral motifs and gilded borders.

Portrait Of A Young Girl Marble Florence Tuscany 1894

Portrait of a young girl in marble placed on a grey marble column, depicting a young girl cloaked in the winter cold. The different processes used give variety in the rendition of the marble. On the back of the bust, “F. Andreini Florence 1894" is engraved.

Sculpture of a Roman Matron White Marble Italy 19th Century

19th Century marble sculpture representing a roman matron; the figure stands on the left leg and is wearing a long robe that leaves her breast free; the left arm is hidden by the cloth and is folted while in the opposite hand she is holding a corrispondence. Her face is austere with a pointed chin; her hair har divided by a central parting and collected in a bun behind her head.

The Continence of Scipio Oil on Table Italy XVII Century

Oil on the table. Northern European school of the 17th century. The scene depicts an episode in the life of Scipio narrated by Tito Livio and Valerio Massimo. Publius Cornelius Scipio, later known as Scipio the African, in 209 BC. during the Spanish campaign, after the capture of Cartagena he received as a personal gift a beautiful virgin, who was in the group of hostages. But he, listening to the pleas of his family, respected her by sending her back to her parents and fiancé, with the only recommendation that her betrothed work for peace between Rome and Carthage. In the representation Scipio is in the center, seated on his throne, and turns to the left, to the suppliant parents of the girl, while with a merciful gesture, he indicates to them to take back his daughter, standing on the right, flanked by her boyfriend. All around, soldiers and followers of the king. The scene is full of figures, bright and colorful, and underlines the positivity of the king, a central and powerful character, but capable of meekness and clemency. The restored painting has been reinforced on the back with wooden strips. It is presented in a stylish frame.

Antique Painting Religious Subject Oil on Canvas XVII-XVIII Century

Oil on canvas. Christ, seated in prison, wearing a red cloak and a cane in his hands, also receives the crown of thorns, to complete the symbols of mockery of his declared royalty, the reason for his death sentence. The scene presents lively and well-defined figures; the central Christ, suffering and resigned in the expression of his face, is illuminated by the light that enters from the opening in the rock face, while the two soldiers surround him. The painting on the first canvas is inscribed in three twisted wooden elements, carved with leafy and gilded motifs.

Pair of Antique Empire Style Candelabra Beech Italy XIX Century

Italy, XIX Century

Pair of Empire style candlesticks in beech wood, carved and gilded with gold leaf, satin lampshades richly hand-embroidered with Eucharistic symbols. Italy, late 19th century.

Antique Umbertino Mirror Gilded Wood Italy XIX Century

Italy, Late XIX Century

Umbertino mirror with golden frame, the cymatium is carved with leaf motifs and a central vase element.

Antique Painting Landscape Oil on Canvas Italy Late XIX Century

Oil on canvas. Northern European school, late 19th century. Unidentified signature (Marie Ross?) lower right. Wide view of a green countryside, crossed by a stream; in the background a farmhouse, towards which the female figure is heading on the path. Played on pastel shades of green and blue, the painting is bright and serene. It is presented in a contemporary frame, with small damages to be restored.