Antique Römhildt Piano Wood Weimar Germany XX Century - Weimar, Early XX Century

Italy, Late XIX - Early XX Century

Neoclassical style writing desk with glass top, walnut, oak interior and Moroccan top, tapered truncated cone legs, top with tapered columns and Doric capitals. Right drawer lock missing. Italy, late 19th, early 20th century.

Italy, Late XIX - Early XX Century

Pair of carved alabaster candlesticks decorated with flowers, leaves and grape shoots.

Italy, Late XIX Century

Pair of beech wood statue-holder columns, Italy, late 19th century. Square tops and bases, the first removable with screw fixing. Fluted barrels with turned ends.

Italy, Late XIX Century

Pair of eclectic shelves in carved and gilded wood in Mecca, Italy third quarter 19th century. Lower end composed of a bellflower topped by curls, which support the shelf surface covered in velvet. A vertical structure extends from the floor, decorated with large lateral leaf elements and a pair of central flowers; crown with three flowers at the apex. Small renovations and gilding restorations. Slight defects in the gilding.

Italy, Late XIX Century

Group of 4 baroque walnut chairs, open backrest with floral and leaf carvings, wavy legs. Padded seat, recently redone, covered in eco-leather. Third quarter of the 18th century

Group of six swivel chairs with aluminum structure, seat in original red fabric. The fabric, sanitized in our laboratories, shows some signs of aging and the structure has some shortcomings. They feature the "Herman Miller made by ICF" branding.

Coffee table, enamelled metal base and teak veneered wood top.

Odalisque 1988

Crayons and collage on paper. At the bottom right are the character's signature and name. On the back there is a label from the Il Vicolo art gallery in Milan. The eclectic activity of Emanuele Luzzati, illustrator, set designer, costume designer, decorator, master of every applied art, was extraordinary; he was also twice nominated for an Academy Award for two animated films. Interpreter of a skilled and cultured figurative culture, capable of masterfully using all sorts of materials (from terracotta to enamel, from wool weaving for tapestries to engraving on different supports, to collages of composite papers and fabrics) to construct sketches of scenes, costumes, naval displays, thanks to the richness of his fantastic world, the immediacy and expressiveness of his very personal style, Luzzati was one of the most loved and admired artists of our time. The sketch is presented in a frame.

Italy, Late XIX Century

Umbertino mirror with golden frame, the cymatium is carved with leaf motifs and a central vase element.

Mid XVIII Century

Baroque walnut chest, Italy, mid-18th century. Tripartite front, decorated with rocaille style carvings and curls placed within reserves, uprights with forty-five degree pilasters carved in a curl. Restorations.

Vintage trolley made in the 1960s in brass and wood covered in blue cloth.

Italy, XX Century

Dresser in Lombard Baroque style, walnut veneer and walnut root, 20th century Italy. Shaped top in breccia marble, front with three drawers. Decorated with gilded bronze shoes and handles and maple inlays. In the upper part there is a wooden mirror carved with curls and leafy and gilded elements.