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Gabriella di Vergy. Azione eroica-pantomina in cinque atti d'invenzione di Gaetano Gioja ed ora riprodotta dal di lui fratello Ferdinando Gioja da rappresentarsi nel Real Teatro S. Carlo nella primavera del 1837

Author: Gaetano Gioja, Ferdinando Gioja

Code: LIMULI0261930

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Gabriella di Vergy. Azione eroica-pantomina in cinque atti d'invenzione di Gaetano Gioja ed ora riprodotta dal di lui fratello Ferdinando Gioja da rappresentarsi nel Real Teatro S. Carlo nella primavera del 1837

Author: Gaetano Gioja, Ferdinando Gioja

Code: LIMULI0261930

70.00
WITH FREE SHIPPING
65.00 € *
IF YOU PICK UP IN STORE
Discounted price if you collect the product in our shops in Milan and Cambiago:
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Gabriella di Vergy. Azione eroica-pantomina in cinque atti d'invenzione di Gaetano Gioja ed ora riprodotta dal di lui fratello Ferdinando Gioja da rappresentarsi nel Real Teatro S. Carlo nella primavera del 1837

Features

Author: 

Publisher:  Tipografia Flautina

Place of printing:  Naples

Year of publication: 

Product Condition:
Copy in acceptable conditions. Full imitation leather binding; the boards are framed by rich gilded decorations with impressions of gilded coats of arms in the center: dust spots, abrasions and scratches. Loose binding. Number annotated in red pen on the front pastedown. Numerous brown foxing on the pastedowns and flyleaves. Leaves with wide margins and scattered stains of various nature; noteworthy is a mold stain in the center of the lower margin of the leaves; pencil number on the title page. Text in Italian.

Pages:  12

Format:  In eighth

Dimensions (cm):
Height:  20
Width:  12

Description

Libretto of the first performance of the choreographic action Gabriella di Vergy with music by various authors performed at the Real Teatro S. Carlo. As indicated on the frontispiece, it is a revival by his brother Ferdinando of a choreography by the very famous dancer and choreographer Gaetano Gioia (1764-1826). Neapolitan, son of an artist (his father Antonio was a dancer and choreographer), Gaetano trod the stages of all Europe as a highly sought-after dancer. His debut as a choreographer dates back to 1789; in 1793 he was already the first choreographer of La Scala. He returned to Naples in 1795 as principal choreographer at the S. Carlo in Naples. Between 1798 and 1826, the year of his death, he signed 220 choreographies. The libretto is embellished with a full leather binding with the coat of arms of the reigning house of Bourbon of the Two Sicilies on the gold plates. The performers of the first performance and the names of the theatre's workers are indicated

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