Swatch Skin Blu Lustrous Bliss SFZ111 Vintage Switzerland 2005 - Switzerland, 2005

Antique Painting Signed A. Giallinas Watercolour on Cardboard '800

View of Corfù

Watercolour on paper. Signed lower left. Angelos Giallinas, born in Corfu, was known for his numerous views of his native island, although his landscape production includes glimpses of Greece, other Greek islands, Italian and oriental cities. His watercolor glimpses are pervaded by a suspended, veiled atmosphere. This same view of the island was presented, in a smaller example, at a Sotheby's auction in London in 2002. The work is presented in a frame.

Antique Painting Signed Eliseo Sala Oil on Canvas Italy 1841

Female Portrait, 1841

Oil on canvas. Signed and dated lower left. Eliseo Sala is celebrated by contemporary critics as a prominent portraitist in the Lombardy panorama. In fact, he carried out many important commissions on behalf of royal, noble and upper-middle-class families, as well as prestigious political figures. In his maturity, his art was oriented almost exclusively towards veristic portraiture and historical Romanticism, rendered with immediate painting, of extreme chromatic refinement, rich in chiaroscuro and an in-depth psychological investigation, which often reproduces the ideals of the Risorgimento that were typical of his personal beliefs. Presented here is the artist's portrait of a lady of the wealthy bourgeoisie, which well expresses the intense capacity for realism and psychological introspection that emanates from the woman's gaze. The painting is presented in a 19th-century gold frame.

Modern Painting Signed G. Tallone Gallant Scene Italy XX Century

Jek on the Boat

Pencil on paper. Signed lower left; title lower right. On the back is a label from the Galleria Gian Ferrari in Milan, with the artist's name and title. Guido Tallone, son of Cesare Tallone, devoted himself mainly to portraiture in the first phase of his life. After the Second World War, his production also developed into genre scenes, portraits of objects dear to him or of his everyday life. His works are distinguished by rapid brushstrokes and bright, brilliant colours, strongly influenced by Impressionism. In this case, a pencil sketch of a dog is presented, called by name, and portrayed on the boat - of which only the bow is sketched - probably a companion on one of the artist's trips. Framed.

Modern Painting Signed Angelo Dall'Oca Bianca 1931

The Witch's Den 1930

Crayons on cardboard. Signed and dated at the bottom; on the back there is a label from the Galleria d'Arte Moderna in Verona, which auctioned off numerous works by the artist that it owned. The work is accompanied by the purchase invoice from that auction in 1951, with the title of the work. Of humble origins, the Veronese artist Angelo Dall'Oca Bianca, even once he had become an established and appreciated artist, frequenting the Italian and international artistic and cultural environment, always maintained a bond with his city, a constant source of inspiration for his artistic production, and a bond with its poor; in 1939 he built the Villaggio Dall'Oca in Verona, for the benefit of the city's poor, and in 1941 he made a will, leaving all his money and his paintings to the city of Verona for charitable works. His painting was always of a purely veristic nature, influenced above all by contact with Giacomo Favretto. The witch's cave shown here actually refers to a poor and degraded environment, where a female figure emerges from a dark room, wrapped in a cloak that gives her a mysterious air. The work is presented in a frame.

Antique Painting Male Portrait Oil on Canvas XVIII-XIX Century

Oil on canvas. French school of the late 18th - early 19th century. Portrait of a gentleman in elegant bourgeois dress. The canvas has slight tears and requires cleaning. It is presented in a gilded 19th century frame.

Painting by Luca Caccioni

Landscape 1992

Mixed media on paper. On the back, the artist's stamp with signature, date and title (partially legible). Caccioni, an artist who was born, trained and still lives in Bologna, is one of the protagonists of a generation that has now reached a definitive linguistic maturity and occupies a prominent place within the contemporary artistic panorama. His research mainly uses unusual materials such as acetates, PVC and, more recently, stage backdrops from 19th-century theatrical works, on which he intervenes by painting shapes drawn from a personal memory and from suggestions coming from different cultures and historical periods. A recurring element in Luca Caccioni's work is writing, a self-signifying sign that designs the work and is capable of recounting thoughts; working by superimposition, the images are constructed by adding or subtracting color on the various supports. Work in frame.

Painting by Luca Caccioni

Untitled 1991

Mixed media on paper. On the back the artist's stamp with signature and date. Caccioni, an artist who was born, trained and still lives in Bologna, is one of the protagonists of a generation that has now reached a definitive linguistic maturity and occupies a prominent place within the contemporary artistic panorama. His research mainly uses unusual materials such as acetates, PVC and, more recently, stage backdrops of nineteenth-century theatrical works, on which he intervenes by painting shapes drawn from a personal memory and from suggestions coming from different cultures and historical periods. A recurring element in Luca Caccioni's work is writing, a self-signifying sign that designs the work and is capable of recounting thoughts; working by superimposition, the images are constructed by adding or subtracting color on the various supports. Work in frame.

Modern Painting Signed Angelo Dall'Oca Bianca Crayons on Cardboard 40s

Head

Crayons and white lead on cardboard. On the back there is a label from the Galleria d'Arte Moderna in Verona, which auctioned off numerous works by the artist that it owned, and reporting the data of the work. The work is also accompanied by the purchase invoice from that auction in 1951, with the title of the work. Of humble origins, the Veronese artist Angelo Dall'Oca Bianca, even once he had become an established and appreciated artist, frequenting the Italian and international artistic-cultural environment, always maintained the bond with his city, a constant source of inspiration for his artistic production, and the bond with its poor; in 1939 he built the Villaggio Dall'Oca in Verona, for the benefit of the poor of the city, and in 1941 he made a will, leaving all his money and his paintings to the city of Verona for welfare works. His painting was always of a purely veristic nature, influenced above all by contact with Giacomo Favretto. Work presented in a frame.

Modern Painting Signed Angelo Dall'Oca Bianca Crayons on Cardboard

Lucietta 1940

Crayons and white lead on cardboard. Signed and dated lower left; on the back there is a label from the Galleria d'Arte Moderna in Verona, which auctioned off numerous works by the artist that it owned. The work is accompanied by the purchase invoice from that auction in 1951, with the title of the work. Of humble origins, the Veronese artist Angelo Dall'Oca Bianca, even once he had become an established and appreciated artist, frequenting the Italian and international artistic and cultural environment, always maintained ties with his city, a constant source of inspiration for his artistic production, and the link with its poor; in 1939 he built the Villaggio Dall'Oca in Verona, for the benefit of the city's poor, and in 1941 he made a will, leaving all his money and his paintings to the city of Verona for welfare works. His painting was always of a purely veristic nature, influenced above all by contact with Giacomo Favretto. Framed work.

Pair of Corner Cabinets Third Quarter XVIII Century

Italy

Pair of neoclassical corner cabinets in walnut, central paneled door, gouged truncated conical feet. Italy, third quarter of the 18th century.

Antique Painting Battle Scene Oil on Canvas XIX Century

Oil on canvas. The scene shows the results of a battle, with survivors providing first aid to the wounded, carrying the bodies of their fallen comrades, and a friar blessing the dying. Officers on horseback count the victims and honor them. The scene is set in an open territory on the banks of a river, with rugged mountain slopes in the background. The rosy atmosphere of a sunset underlines the end of the day, of the battle, of the life lost in battle. The work is presented in a contemporary frame.

Antique Painting Folly Oil on Canvas Italy Late XVIII Century

Oil on canvas. Second half of the 18th century. A portion of a large ruined architectural structure fills the entire scene: a porch surmounted by a balustrade, overgrown with plants, surrounds a courtyard where various popular figures move, busy with their activities. A bright blue sky surmounts the structure and the light filters through one of the arches to create a play of light and shadows under the portico. On the back of the frame there is an attribution to Gaetano Vetturali (1701-1783), even if the quality of the figures here appears superior to those of the artist from Lucca, who established himself in his territory for his architectural caprices of great scenographic impact. The painting is presented in a gilded frame in style.