Manuale della figura umana

Figure

Bruno Cassinari
BonapArte editrice

La natura e le sue voci

Elio De Zanna
Editrice Compositori

Giuseppe Motti

Mario Ghilardi
Orlando Consonni Editore

Virgilio Guidi

Pier Giovanni Castagnoli
Alfa edizioni

Francesco Tabusso

Franco Fanelli
Industrie Grafiche Editoriali Musumeci

Il silenzio di Orta

Piero Chiara
Mostra organizzata dal Comune di Orta

Scanavino

AA.VV.
Punto e Linea

Michal Rovner. Against Order? Against Disorder?

Mordechai Omer
National Council for Culture and Art

Gherard Richter

Bruno Corà
Gli Ori

Wald/Bosco

Franca Ghitti
Grafo

Gazzetta ufficiale di Luca Patella

Luca Patella
Sargentini publisher

Muntadas on Translation: I Giardini

AA.VV.
[Ministerio de Asuntos Exteriores]

In a year when Spanish curators directed the Venice Biennale for the first time, Antoni Muntadas, representing Spain in the Spanish pavilion, told a reporter that the Biennale "takes its ideas from international fairs. It connotes the theme park. There was exoticism, invention, the new... but by now it is an obsolete structure." Muntadas's On Translation: I Giardini, the latest in a series of often site-specific On Translation projects completed over the last 10 years, is here documented from its inception. Translation is a metaphor, as Muntadas states, "I am not talking about translation in a literal sense, but in a cultural sense--how the world we live in is a totally translated world, everything is always filtered by some social, political, cultural and economic factor... by the media, of course, by context and by history." Accordingly, I Giardini looks into the context and history of the Biennale's Giardini del Castello, delving into the transformations and "translations" it has undergone over time, and investigating Venice's status and the space that frames the Biennale. Muntadas notes, for instance, that a new Italian pavilion built on Mussolini's orders was replaced again after the war.