Musica madre

Carol Rama, Antonio Marras. Noi facciamo, loro guardano

Giuliana Altea, Maria Luisa Frisa
Alguer

Paolini Pistoletto Salvo

Giulio Paolini, Michelangelo Pistoletto, Salvo
Galleria Notizie

Le Mini-David I

Berrocal
Collection Mini-Multiples

Movimento Arte Concreta (2 Volumi)

Comune di Gallarate
Electa

Addio anni 70. Arte a Milano 1969-1980

Mousse, Paola Nicolin
Mousse Publishing

Guide over installationskunsteren Roman Ondaks værker

Pittura contemporanea nelle collezioni private (2 Volumi)

Alessio Cannistraro
Centro internazionale arti figurative

Piero Manzoni

Gillo Dorfles
s.e.

CoBra

Stedelijk Museum Schiedam
NAi Publishers

"This book offers a broad and colourful picture of the Schiedam CoBrA collection. Various articles cover the creation of the collection, the question of how a (relatively small) museum deals with such a prestigious collection and recent restoration issues connected with this art. A number of shorter texts focus on individual works and on the artists. With its numerous illustrations and comprehensive approach, this book reveals a unique and largely hitherto unknown picture of CoBrA in the Netherlands. For the more specialist reader the book offers a great deal of art-historical information on such subjects as conservation and art policy."--Jacket

Luigi Veronesi

Luciano Caramel, Claudio Cerritelli
Edizioni Gabriele Mazzotta

Le carte di Pietro Manzoni

Flaminio Gualdoni
Charta

Cesare Benaglia (3 Volumi)

Cesare Benaglia
Silvia Editrice

Conceptual Art

Peter Osborne
Phaidon Press Limited

This book marks a new, original and authoritative re-examination of a major turning point in late twentieth-century art. Since the mid 1960s Conceptual art - an art that consists of ideas, written down, enacted or simply carried in your head - has directly challenged the very notion that a work of art is by definition an object of visual pleasure. Conceptual art is first and foremost an art of questions. As this book demonstrates, Conceptual art continues today to raise fundamental questions not only about the definition of art itself but about politics, the media and society. Conceptual art, since its zenith from 1966 to 1972, has influenced not only all subsequent art but made a major contribution to the history of ideas. It, in turn, drew much of its inspiration from the writings of thinkers ranging from the philosopher Ludwig Wittgenstein to the playwright Samuel Beckett. For the first time, excerpts from these key influential writings are included alongside the major original texts by artists, critics, curators and art historians. An international movement, Conceptual art encompasses not only North America and Western Europe but also South America, Eastern Europe, Russia, China and Japan. Its legacy is global, ranging from small local participatory projects to large-scale installations at major museums and biennales.