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Painting Portrait of the Infanta Maria Anna Victoria of Bourbon

Copy by Nicolas De Largillière

Code: ARARPI0274168

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Painting Portrait of the Infanta, Portrait of the Infanta Maria An, Nicolas de Largillière, Nicolas de Largillière, Nicolas de Largillière — Antique Painting Noble Subject Copy Italy 19th Century

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Painting Portrait of the Infanta Maria Anna Victoria of Bourbon

Copy by Nicolas De Largillière

Code: ARARPI0274168

1,460.00 €

WITH FREE SHIPPING

1,400.00 € *

IF YOU PICK UP IN STORE

Discounted price if you collect the product in our shops in Milan and Cambiago:

* Optional choice in the cart

Add to cart

SAFE PAYMENTS

Request information

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We work for sustainability by promoting reuse and recycling

Painting Portrait of the Infanta Maria Anna Victoria of Bourbon - Copy by Nicolas De Largillière

Features

Copy by Nicolas De Largillière

Artist: Nicolas de Largillière (1656-1746) Copy from

Artwork title: Ritratto dell' Infanta Maria Anna Victoria di Borbone

Age: 19th Century / 1801 - 1900

Subject: Portrait/Face

Artistic technique: Painting

Technical specification: Oil on Metal Plate

Description : Ritratto dell' Infanta Maria Anna Victoria di Borbone

Oil on octagonal metal plate. This is a copy of the portrait of the Infanta Maria Anna Vittoria of Bourbon (1718-1781), painted by Nicolas de Largillière in 1724, currently preserved in the Prado Museum in Madrid. The original better highlights the very young age of the princess, first daughter of Philip V of Spain and Elisabeth Farnese, who was engaged to Louis XV in 1722, at the age of just four, and immediately sent to Paris; the young Infanta was nicknamed "l'infante Reine" (the child queen), but did not marry the French king, who in 1725 decided to send her home because she was too young. The child, who in this copy seems a little older, is depicted at the French court, probably in a room of the Louvre Palace where she stayed, in a sumptuous princely dress, with the royal crown resting on the rich console table to her right. The painting is presented in a contemporary gilded frame.

Product Condition:
Product in good condition, shows small signs of wear. We try to present the real condition as completely as possible with the photos. If some details are not clear from the photos, what is reported in the description is valid.

Frame Size (cm):
Height: 94
Width: 80
Depth: 6

Artwork dimensions (cm):
Height: 72
Width: 57

Additional Information

Artist: Nicolas de Largillière (1656-1746)

Age: 19th Century / 1801 - 1900

19th Century / 1801 - 1900

Subject: Portrait/Face

Artistic technique: Painting

La pittura è l'arte che consiste nell'applicare dei pigmenti a un supporto come la carta, la tela, la seta, la ceramica, il legno, il vetro o un muro. Essendo i pigmenti essenzialmente solidi, è necessario utilizzare un legante, che li porti a uno stadio liquido, più fluido o più denso, e un collante, che permetta l'adesione duratura al supporto. Chi dipinge è detto pittore o pittrice. Il risultato è un'immagine che, a seconda delle intenzioni dell'autore, esprime la sua percezione del mondo o una libera associazione di forme o un qualsiasi altro significato, a seconda della sua creatività, del suo gusto estetico e di quello della società di cui fa parte.

Technical specification: Oil on Metal Plate

Other customers have searched:

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Se sei un appassionato d'arte, non perderti i nostri approfondimenti sul Blog Arte Di Mano in Mano e su FineArt by Di Mano in Mano - Arte:

Leggi di più
Ecco alcuni tra i principali articoli:
Vedute
Falsi nell'arte antica
Un messaggio di fiducia per ripartire
La potenza espressiva dell'arte figurativa etiope
Breve Storia del Collezionismo
Giorgio Upiglio, maestro dei libri d'artista
Matthias Withoos detto "Calzetta bianca"
San Rocco pensaci tu - Classic Monday

Dai un'occhiata alle nostre rubriche di divulgazione sull'arte:
Epoche
Lavorazioni e tecniche
Mostre ed Eventi
Protagonisti

Se sei appassionato di pittura antica, con tutta probabilità gusterai le schede di questi stupendi quadri:
"Dio parla a Noè dopo il diluvio", Jacopo da Ponte, detto il Bassano, seconda metà XVI secolo
Crocifissione, maestro della misericordia dell'accademia, terzo quarto del XIV secolo
Erminia incontra i pastori, Camillo Gavassetti, Seconda metà anni Venti del XVII Secolo
Eroine dell'antichità, Francesco Conti, XVIII secolo
Hieronymus III Francken, La Negazione di Pietro, XVII secolo
Jefte e la figlia, Girolamo Forabosco e aiuti, XVII secolo
L'Accademia di Platone, piccolo arazzo, fine XVII - inizio XVIII secolo
Maddalena e San Giovanni Battista
Natura Morta, Bartolomeo Arbotori, XVIII secolo
Sacra Famiglia con San Giovannino, Bartolomeo Ramenghi, scuola di, prima metà XVI secolo
Testa Femminile, Andrea del Sarto, ambito di, post 1522
Uva, fichi, melagrana e pesche su un capitello - Maximilian Pfeiler, primo quarto XVIII secolo

Sapevi che l'arte può essere anche un ottimo investimento (e non solo per grandi portafogli)?
L'Arte tra Collezionismo e Investimento
FineArt: Arte come investimento

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