Vintage Hermès Suit Wool UK Size 12/14 France 1970s-1980s - UK Size 12/14

UK Size 40

Camel-colored men's coat in 85% wool and 15% cashmere, very good condition, soft line with unstructured sleeves typical of the 80s and 90s. The size is 50 (length 120 cm, waist 120 cm, shoulders 50 cm).

UK Size 10

Curiel. 1950s evening dress with satin and lace riverting. Two zips are hidden by a satin bow. The lace is ruined is some points but overall it is in good conditions.

Desk with 3 drawers under the top, beech wood and mahogany veneer and formica. To be restored.

England, Late XIX Century

Group of four Victorian mahogany chairs, open back with central scroll carvings, turned front legs and castors, sabre-shaped rear legs. England, second half of the 19th century.

Italy, XIX Century

Group of four walnut chairs, open backrest, turned front legs, upholstered seat. Italy, 19th century.

110 x 38 In

Tabriz carpet in cotton and wool, hand-made, large knot.

Untitled 1958

Oil on canvas. Signed and dated lower right. The work of strong emotional impact proposes an almost monochromatic purple background, in which a few black and white strokes are inserted to define a silhouette curled up on the left, perhaps a human form, collected and closed in on itself. Born in 1934 in Viareggio, where he still lives, the painter and sculptor Mario Francesconi is considered one of the few survivors of Dadaism, which since the end of the 1950s has gone through the seasons of Italian and European art in a distinctly personal search for forms and techniques. Starting from his first solo show in 1959 he develops an artistic path that goes through different phases, often attributable to a passion for poor and recycled materials. His artistic activity moves between the areas of painting, sculpture, collage and installation and borders on the adjacent areas of poetry and literature, also thanks to friendships and professional relationships with some of the most significant figures of the intellectual world. Italian of the second half of the last century, from Emilio Villa to Cesare Garboli, from Leonardo Sciascia to Mario Luzi, from Cesare Zavattini to Pier Paolo Pasolini, from Alfonso Gatto to Sandro Penna to Venturino Venturi. The work is presented in a frame.

Tableau doré

Mixed technique on plywood (painting and silver paper sheets). On the back, authentic with stamp and signature of the artist's sister. The work belongs to the series of Tableaux dorés, works created by the Milanese artist Remo Bianco starting from the 1950s. Born and educated in Milan, Remo Bianco was a pupil of De Pisis, in whose studio he frequented the great Italian artists of the twentieth century (Carrà, Sironi, Savinio, Soffici, Soldati, Marini, Cantatore). After the interlude of the war (enlisted, sank with his ship and was taken prisoner in Tunis), he resumed his artistic activity in Milan, participating in the Nuclear Movement and Spatialism, coming to completely detach himself from figurative painting to create works made of brushstrokes mashed potato. At the beginning of the fifties he began to create works, pictorial and sculptural, with different materials and to experiment with different themes and techniques; to this production belong the Tableaux dorés, composed of silvered or gilded aluminum foils on painted bases. The work is presented in a frame.

Italy, 1980s-1990s

Irregularly shaped glass vase in shades of yellow with gold and silver leaf inclusions. The body of the vase features dense transparent glass applications to create movement. Under the base is the artist's signature and on the edge is the manufacturer's adhesive label.

Armchair with footrest, spring padding, leather upholstery.

Italy Late 19th Century

Mahogany work table, drop-leaf top concealing open compartments in maple burl. Drawer under the top, turned legs and sabre feet. Italy, late 19th century.

Italy Early 1900s

Pair of carved wooden female figures on a plexiglass base.