Vintage Table ICF Design Charles and Ray Eames Italy 1970s - ICF, 1970s

Vintage table of Italian manufacture with metal legs and top veneered in different wood essences (mahogany, wenge, ash, jacaranda, cherry, Tanganyika) finished with transparent matt lacquer. Finished edge.

Industrial workbench early 1900s

Workbench made of chestnut wood in the early decades of the 20th century, trestle structure held with wooden nails with crosspieces at the feet and in the center of the legs; the top is made up of two mirrored boards. The table has been restored with a conservative choice, leaving the black traces of tannin that emerged in spots where liquid was probably poured and filling the lack of wood in the part where it was heavily worn with transparent resin. The table has been finished with natural varnishes.

England Third Quarter 19th Century

Tray table, England, second half of the 19th century. Made of finely chased and gilded bronze with a papier maché top. Four uprights in the shape of a winged dragon with a goat's foot, connected to each other by a crosspiece with a pinnacle, support a top embellished with gilded bronze applications in the rocaille style. The tray is signed "Jennet & Bettridge London" surmounted by a crown. This is one of the most important manufacturers of furniture and objects made of papier maché, a company that has exhibited at the most important universal exhibitions of the 19th century. On the cover of the book "japanned papier maché and tinware" there is a drawing of the Universal Exhibition of 1851, depicting the Jennens & Bettridge stand.

19th Century / 1801 - 1900

Console in French neoclassical style with top in breccia, carved in all its parts and partially highlighted in gold; lion feet. The two front legs have lion heads carved at the point of connection with the undertop band. Made of oak.

1960s

Desk with drawers, leather-covered pull-out top, shuttered shelf, small sliding doors in chromed aluminum and drawers. Jacaranda veneer, chromed aluminum. Completely restored.