Group of chairs with beech wood structure and leatherette seat.

Table with glass top and enamelled metal legs.

A service cart, exotic wood veneer. Manufactured in Italy, 1960s.

Oil on canvas. The painting, made in the first half of the 1900s, takes up the landscape works in the subject and in the pictorial mode: in a landscape rich in vegetation and with peaks in the background, a young commoner asks for charity from some travelers who rest on the roadside , near a stone arch. The canvas has undergone aging and is presented in a late 19th century frame.

Carlo X triclinium sofa

Dormouse, Charles X period, in walnut inlaid with maple; shaped backrest. side by boat with curled feet, the whole surface is inlaid with phytomorphic motifs

20th Century / 1901 - 2000

Wrought iron candlstick refined with curly motifs and painted.

Europe XIX-XX century

Group of twelve glasses in ground and engraved glass of different manufactures, shapes and colors. Some glasses belong to the Biedermeier period and are of Austrian or German origin.

Pair of ceramic vases with cylinrical base and decorations of oriental figures inside the reserves.

Saint George 1992

Oil on panel. Signed bottom right. On the back, with Cyrillic characters, there is the title, the date and the location, Bergamo. The Lithuanian artist, who currently lives and works between Moscow, Italy and the United Kingdom, is considered one of the most important contemporary Russian artists. In his large production there are landscapes, still lifes, many portraits of famous people and his surreal compositions, an expression of his peculiar "dream vision" of reality. Even in this table, albeit in the style of traditional icons, the depiction of the famous St. George is proposed in a surreal key that reminds of De Chirico, in which the dragon is replaced by a goose, the Saint's head is an egg, in the outlines there are figures of sorceresses... a clearly unorthodox interpretation! The panel has a vertical slit. The piece is presented in a frame.

Vintage 1950s-60s Italian-made three-seater sofa with a sinuous shape with a particular wooden structure and original capitonné fabric covering in shades of beige.

Earthenware Statue of a sitting man. Anonymous author.

Sofa, foam padding, fabric covering, wooden structure. The product can be restored by our laboratory, with an intervention that involves replacing the padding and fabric by choosing from our different samples.

Cabinet with swing doors with bar equipment inside, veneered wood, brass details, important decoration on the doors, maple and brass inlays.

Group of 4 chairs; chromed metal tubular, foam padding and leather upholstery.

16th Century / 1501 - 1600

A basement of the Renaissance, bronze. Three feet and a hole in the middle. Three paws of winged lions support the basement. Bas reliefs depicting garlands surmounted by storks are represented within a reserve contained in moldings on each side of the basement. The three uprights are surmounted by ram's heads. The round relief was probably welded in the 19th century to convert the item in an inkpot. Manufactured in Tuscany, Italy, first half of the 16th century.

Glimpse of a snowy town

Oil on hardboard. Signed lower right. Born in 1905, Gaetano Valbusa worked for over forty years as a worker in the Brescia Mechanical Workshops, until retirement, devoting himself to painting only as a passion. Landscape painter, thanks to business trips he was able to portray "en plein air" glimpses of the whole world, even if the glimpses of the places in Brescia are the most recurring subject. Affiliated to the Brescian Artists Association, he was able to exhibit his works and make himself known by critics. In his canvases the landscapes are permeated with great serenity and tranquility, an elegy of serene memories of real life. The glimpse proposed here is presented in a frame.

Landscape with Ancient Style Figures

Oil on hardboard. Signed lower right. Born in Milan in 1913, and trained at the Brera Academy (of which he later became a teacher), Adriano Gajoni became passionate about the study of seventeenth-century Lombard painters and Dutch and Flemish painting of the seventeenth century, from whose meticulous realism he let himself be inspired. Of strict figurative observance, Gajoni preferred landscapes, portraits and above all still lifes, which he expressed in fairy-tale and allegorical compositions. He mainly practiced oil painting on wood and hardboard. Also this painting proposes a landscape of ancient taste: in the countryside, on the path that runs along a wide river, a pastoral figure passes on his donkey, followed by his small herd. The work is presented in a style frame.

Concrete paste sculpture depicting the bust of a man. Anonymous author.

Table with carved decorative details and small drawers under the top, solid beech wood and mahogany veneer, entirely cherry stained, remarkable clear glass laying on top.

Vases in terracotta

Pair of medicean vases with plinth shaped base decorated with anathemas. The two vases show the same decoration of two handles shaped as ram's head. The surface is gilded with gold leaf. One of the two vases had been restored.

280 x 180 cm

Vintage monochrome rug, mixed wool. 1970s-1980s. Good condition.

Elegant table, teak wood, brass leg tips. A table with a typical line from the 60s, from Northern Europe, suitable for an environment that wants to rediscover a Vintage taste from other times, an excellent proposal to give new life to things.

Coat hanger in white enamelled metal and nickel-plated brass.