MIRRORS AND FRAMES - Page 3

Italy, Early XX Century

Frame in carved style with leaf motifs at the corners, it is gilded.

Wall mirror, chromed aluminum frame, open shelf in clear glass, mirrored glass.

Tuscany, Late XVIII Century

Pair of neoclassical mirrors in walnut, gilded and lacquered. Carved cymatium composed of a pair of vases, leaf carvings and festoons that resume on the sides and at the base. Appliques missing, mirrors partially replaced. Restoration. Tuscany, third quarter of the 18th century.

Built-in mirror, chromed aluminum, mirrored glass, smoked glass shelf.

Antique Mirror

Baroque style mirror, carved and gilded. Small damages

Wall mirror, chromed metal, mirrored glass.

Mirror in style

Baroque style mirror, carved and gilded. Small damages

Italy, Late XIX Century

Mirror adorned with a carved and perforated cymatium with a central shell from which leafy spirals branch out; it was subsequently re-gilded and re-lacquered.

France, Mid XIX Century

Eclectic mirror in gilded wood with pastille carvings, France, mid-19th century. Shaped frame adorned with pastille carvings depicting frets, leaf and floral elements, curls and trophy composed of bow, quiver and torch. Mercury mirror. Lacks in the carving and gilding.

Tuscany, Late XIX Century

Louis Philippe cheval mirror, resting on two bases equipped with a drawer and connected by a pair of turned crosspieces; the uprights are carved in the shape of dolphins, to support the frame, decorated with a cymatium carved with leaf scrolls: the central psyche mirror has both a tilting movement and a rotation movement, thanks to a vertical pin. In mahogany, the interiors are in poplar.

Wall mirror in mirrored glass and anodized aluminum frame. It has a small chip on the glass.

Italy, XX Century

Gilded and carved frame with phytomorphic and floral motifs in Rococo style.

Tuscany, Early XIX Century

Empire Cheval Mirror of Tuscan production supported by characteristic feet ending with ebonized and gilded floral corolla elements, connected by a turned crosspiece also ebonized and gilded. Ebonized column uprights with gilded capitals supporting the cymatium and framing the mercury mirror with tilting movement. In walnut.

Veneto, Late XVIII Century

Neoclassical mirror with imitation wood lacquered wooden frame and gilded wood carvings, Veneto, late 18th century. Shaped frame with Greek borders, embellished with a cymatium with leaf and floral carvings that fall along the sides, a pair of vases and an oval mirror with a monogram placed within a pair of columns. Ornamental carvings also on the lower side. Regilded in ancient times.

Milan, Third Quarter of the XVIII Century

Carved and lacquered fireplace with a painted canvas with a still life in the center and a mirror underneath. The whole surface is carved with rocaille motifs called "a pel de rava"according to the Milanese taste. Milan third quarter of the eighteenth century.

Italy, Late XIX - Early XX Century

Mirror carved in pastiglia with motifs and festoons of neoclassical taste, it is entirely gilded.

France, Early XX Century

Pastiglia-carved and gilded frame; has shortcomings.

Venice, Late XVIII Century

Venetian mirror with carved and gilded shaped frame, enclosing acid-etched mirrors decorated with characteristic ornamental motifs; central mirror replaced, the frame was partially re-gilded.

Italy, XX Century

Mirror with cymatium and frames in etched glass to form floral motifs and curls combined with cut and sculpted glass. Shortcomings. 20th century Italy

Italy, Last Quarter XVIII Century

Neoclassical mirror in carved and partially lacquered and gilded wood, Lombardy last quarter of the 18th century. Medallion frieze with love knot placed on the top, made with a ribbon and held by a float, and richly carved floral festoons; gilt moldings, mercury mirror. Decorated in the upper part with a cancurrent motif enriched with golden leaf elements, attributable to the iconographic repertoire of Giocondo Albertolli (Bedano 1742–Milan 1839), Swiss-Italian architect, decorator and teacher.

Mirror with console with 2 open shelves in lacquered wood and mirrored glass.

Lombardy Late 17th - Early 18th Century

Baroque mirror, the frame is carved with powerful leafy volutes, it is entirely gilded; with lacks and restorations.