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Price

9 € 36000 € Apply

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Production

Fashion designer

Material

Necklace

Dimensions


2 cm 1456 cm

0 cm 1640 cm

0 cm 298 cm

4 cm 180 cm

18 cm 77 cm
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Accadde a Milano
LISTLO0259789

Accadde a Milano

Massimo Emanuelli
Greco & Greco Editori

LISTLO0259789
Accadde a Milano

Massimo Emanuelli
Greco & Greco Editori

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25.00€

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Culture creole
LISTLO0259782

Culture creole

Carla Lunghi
Franco Angeli

LISTLO0259782
Culture creole

Carla Lunghi
Franco Angeli

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20.00€

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Antique Victorian Cabinet Mahogany Oak Decorations England '800
ANMORI0262842

Antique Victorian Cabinet Mahogany Oak Decorations England '800

England, Mid XIX Century

ANMORI0262842
Antique Victorian Cabinet Mahogany Oak Decorations England '800

England, Mid XIX Century

Victorian Mahogany Drop-Leaf Chest, Maple and Rosewood Trim, Blonde Mahogany Open Shelving and Drawers, Red Leather Top. Bracket Feet, Oak Interior. England, Mid 19th Century.

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1,550.00€

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Mythological Subject Oil on Canvas Italy XVII Century
ARARPI0167017

Mythological Subject Oil on Canvas Italy XVII Century

The Tale of Apollo and Marsyas

ARARPI0167017
Mythological Subject Oil on Canvas Italy XVII Century

The Tale of Apollo and Marsyas

Oil painting on canvas. Northern Italian school of the seventeenth century. The large canvas derives from an engraving of 1562 by the Venetian Giulio Sanuto, who faithfully reproduced the homonymous work by Bronzino (1503-1572), currently preserved in the Hermitage; compared to the original, the engraving added the group of Muses and modified the landscape background by introducing views of the villages. The work is divided into four scenes, which must be read from right to left. The first scene depicts the musical contest between Apollo and the Silenus Marsyas, who played the flute so well that he was considered superior to the same god; the two contenders are performing, the god with the lyre and the silenus with the flute even upside down (to increase the difficulty of the undertaking), in front of King Midas and the goddess Minerva, recognizable by her attributes, the helmet, the spear and the shield. In the second scene Apollo is intent on skinning Marsyas, to punish him for having won the musical contest; lean on the ground next to him, his cloak and lyre. In the third scene, it is King Midas who is punished by the god for having preferred Marsyas to him: Apollo is putting the donkey's ears on Midas, while Minerva is watching. Finally, the fourth scene, in the foreground on the left, is characterized by a particular figure, identified in the faithful servant and barber of the king: since Midas had ordered him to keep the secret on his donkey ears, not being able to let off steam otherwise, he dug a hole in the ground and yelled into there his secret; in that place, however, legend has it that a bush of reeds grew that with the wind whispered "King midas has donkey ears", thus revealing the dreaded secret. The painting has been previously restored and relined, but currently needs any further color recovery. On the back in pencil there is an old attribution to the Ferrara school ("Ercole da Ferrara"). It is presented in a late 19th century style frame.

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4,170.00€

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Vintage Zonca Ceiling Lamp Metal Italy 1980s
MOILIL0259504

Vintage Zonca Ceiling Lamp Metal Italy 1980s

MOILIL0259504
Vintage Zonca Ceiling Lamp Metal Italy 1980s

Reflected light ceiling lamp in enamelled metal.

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360.00€

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Antique Writing Desk Exotic Wood Bronze England XIX Century
ANTASC0245519

Antique Writing Desk Exotic Wood Bronze England XIX Century

England, Third Quarter XIX Century

ANTASC0245519
Antique Writing Desk Exotic Wood Bronze England XIX Century

England, Third Quarter XIX Century

Open desk of English production, supported by carved uprights connected by a turned crosspiece and resting on a pair of feet with bronze shoes; in the undercounter band, on each of the two long sides, there are two small drawers; in exotic wood, the top has a morocco insert and metal railing. Locks marked ";J. Branah 134 Piccadilly"

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870.00€

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Oil on Canvas Religious Subject Italy XVII-XVIII Century
ARARPI0148816

Oil on Canvas Religious Subject Italy XVII-XVIII Century

ARARPI0148816
Oil on Canvas Religious Subject Italy XVII-XVIII Century

Oil on canvas. Northern Italian school of the 17th-18th century. In a large, rather barren hilly landscape, which widens and fades to the right, there is a high rock, shaped like an arch, under which there is Saint Jerome penitent, depicted in the act of prayer and adoration of the Cross. In accordance with the canons of 17th-18th century painting, the figure of the Saint, adapted to the iconography in his clothes and attitude, is however inserted in an unsuitable landscape, close to that of the painter who drew on the landscape reality known to him. . The painting, restored and relined, is presented in a period frame.

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3,170.00€

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Le rime burlesche edite e inedite di Antonfrancesco Grazzini detto Il Lasca
LINACI0260584

Le rime burlesche edite e inedite di Antonfrancesco Grazzini detto Il Lasca

Carlo Verzone
G.C. Sansoni Editore

LINACI0260584
Le rime burlesche edite e inedite di Antonfrancesco Grazzini detto Il Lasca

Carlo Verzone
G.C. Sansoni Editore

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90.00€

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Antique Console Neoclassical Style Mirror Gilded Wood XX Century
ANCOSP0261603

Antique Console Neoclassical Style Mirror Gilded Wood XX Century

Italy, Early XX Century

ANCOSP0261603
Antique Console Neoclassical Style Mirror Gilded Wood XX Century

Italy, Early XX Century

Console table with mirror in neoclassical style, marble top, truncated conical legs, festoons in the band under the top. Tripartite mirror with cymatium embellished with painted panel, festoons and floral carvings. Italy, early 20th century.

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1,120.00€

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Antique Side Table Baroque Walnut Poplar Italy XVIII Century
ANMOCO0245143

Antique Side Table Baroque Walnut Poplar Italy XVIII Century

Piedmont, Late XVIII Century

ANMOCO0245143
Antique Side Table Baroque Walnut Poplar Italy XVIII Century

Piedmont, Late XVIII Century

Baroque side table with open finish, supported by tall, slightly wavy legs, has a drawer on the front and an upper tray shelf; in walnut, the interiors are in poplar.

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950.00€

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I grandi cicli decorativi. Il Quattrocento
LIARMD0262514

I grandi cicli decorativi. Il Quattrocento

AA.VV.
Fratelli Fabbri- Alert Skira

LIARMD0262514
I grandi cicli decorativi. Il Quattrocento

AA.VV.
Fratelli Fabbri- Alert Skira

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40.00€

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Antique Centerpiece Silver Decorations Italy XX Century
OGANOG0253414

Antique Centerpiece Silver Decorations Italy XX Century

Italy, Mid XX Century

OGANOG0253414
Antique Centerpiece Silver Decorations Italy XX Century

Italy, Mid XX Century

Boat-shaped centrepiece in fluted and chiseled silver supported by four feet with leafy scrolls. Swan-shaped handles, silver marks incised under the Greek-chiseled edge. Silversmith's mark barely legible. 810 grams.

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740.00€

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Antique Chairs Directoire Walnut Carvings Italy XVIII Century
ANSESE0263216

Antique Chairs Directoire Walnut Carvings Italy XVIII Century

Pair of Directory chairs

ANSESE0263216
Antique Chairs Directoire Walnut Carvings Italy XVIII Century

Pair of Directory chairs

Pair of directoire chairs in walnut, Backrest in walnut carved in a lyre shape.

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310.00€

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Contemporary Photographic Print L. Genovese Infinitesimi 6 2005
ARARCO0262448

Contemporary Photographic Print L. Genovese Infinitesimi 6 2005

Infinitesimi 6, 2005

ARARCO0262448
Contemporary Photographic Print L. Genovese Infinitesimi 6 2005

Infinitesimi 6, 2005

Photographic print on aluminum and plexiglass. On the back the signature, title and serial number 1/5 engraved in the aluminum. Also present label of the Galleria Fotografia Italiana with the complete data of the work. The artist originally from Basilicata but living in Milan, initially known for black and white photography, began a new path of research on color from the beginning of the 21st century. This includes the personal exhibition held in 2005 at the Galleria Fotografica in Milan, entitled Aspirazione, of which it has been said: "No narration, no recognizable reality, only evocations obtained through the evaporation of colors, in many scattered clouds: more painting than photography". The work presented here belongs to this trend.

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290.00€

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D&G Blazer Second Hand Wool Acetate UK Size 16 Italy
ABDO1I0262234

D&G Blazer Second Hand Wool Acetate UK Size 16 Italy

UK Size 16

ABDO1I0262234
D&G Blazer Second Hand Wool Acetate UK Size 16 Italy

UK Size 16

Elegant black wool blend blazer, with single-breasted buttoning. Wide lapels, two pockets and a breast pocket.

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92.00€

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Modern Artwork Signed Maurice Henry Ink on Paper 1969
ARARNO0150778

Modern Artwork Signed Maurice Henry Ink on Paper 1969

Les Bouches de Naples gemissent de Terreur ou de Plaisir 1969

ARARNO0150778
Modern Artwork Signed Maurice Henry Ink on Paper 1969

Les Bouches de Naples gemissent de Terreur ou de Plaisir 1969

Ink on paper. Signature, date and title below. Accompanied by authentication on photo from Galleria Giò Marconi in Milan and stamp from private archive. It is the drawing of the young artist who soon became one of the most important exponents of world surrealism, who was a poet and painter, but also a filmmaker, art and film critic, photographer and humorous designer. Born in the north of France, in 1927 he settled in Paris, where he came into contact with a group of young poets and philosophers, with whom he founded the '' Grand Jeu '' movement: play is understood as an art of living. Since 1928 he has collaborated with texts, poems and drawings for the movement's magazine and in the meantime he collaborates as an editor and reporter with various Parisian newspapers.In 1932, having exhausted the experience of the `` Grand Jeu '', he passes to the surrealist movement, collaborating on its publications and participating in its exhibitions. His humor turns towards the unusual and cruelty, more and more derisive of the absurdity of everyday life, of the tragic side of common existence, to which the spirit and the unconscious rebel, trying to access the unobservable. Knows Salvador Dalí. In 1939 he also began his activity as a filmmaker. In 1941 his first personal exhibition took place in Paris: the first buyer was Pablo Picasso. Participate in all surrealist exhibitions, including the 1947 international one in Paris. In 1951, for reasons relating to the internal discipline of the group, he abandoned the surrealist movement with others, while continuing to practice its poetics. In 1955 he also became passionate about photography. Since 1968 he has devoted himself almost exclusively to painting, abandoning the activity of humorous draftsman. In the same year he settled permanently in Milan: in Italy he exhibited in various personal exhibitions, those in Milan at the Galleria Marconi. The work presented here, an early drawing, comes from an important Milanese private collection. It is presented in a frame.

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660.00€

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McMafia
LIPSIN0263372

McMafia

Misha Glenny
Arnoldo Mondadori editore

LIPSIN0263372
McMafia

Misha Glenny
Arnoldo Mondadori editore

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23.00€

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Vicini da morire
LISUSO0263390

Vicini da morire

Pino Corrias
Mondadori

LISUSO0263390
Vicini da morire

Pino Corrias
Mondadori

La sera di lunedì 11 dicembre 2006 in un condominio di Erba, quieto entroterra di Como, si compie uno dei delitti più atroci e inspiegabili degli ultimi anni. Quattro persone, tra cui un bambino di appena due anni, vengono uccise a coltellate, i loro corpi dati alle fiamme. Nelle primissime ore investigatori e media indicano una sola pista, lo straniero extracomunitario, il marito tunisino di una delle vittime che forse ha il movente, è certamente in fuga, non ha vie di scampo. Un controllo telefonico e un po' di prudenza sarebbero bastati invece a smontare le accuse. A Novi Ligure era accaduta più o meno la stessa cosa, quando Erika, che aveva appena ucciso la madre e il fratellino, si inventò l'assalto di una banda di albanesi per depistare gli investigatori, avvelenare i media, farsi proteggere dalla paura collettiva. A inquietare, in tutti questi casi, è l'automatismo della paura. Specialmente nel Nord Italia, dove negli ultimi anni delitti familiari, violenza, cronaca nera hanno anche enfatizzato la percezione del pericolo, moltiplicato l'allarme sociale, amplificato la domanda di sicurezza. Pino Corrias ricostruisce la geografia di quella insofferenza, di quella paura.

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23.00€

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Vintage Vase Kosta Boda Design Ann Wahlstrom Glass Sweden '900
OGMOOG0257011

Vintage Vase Kosta Boda Design Ann Wahlstrom Glass Sweden '900

Sweden, Late XX Century

OGMOOG0257011
Vintage Vase Kosta Boda Design Ann Wahlstrom Glass Sweden '900

Sweden, Late XX Century

Biomorphic vase in clear and blue satin glass worked with grooves. Manufacturer's mark engraved under the base.

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190.00€

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Lirici del Cinquecento
LINACI0263742

Lirici del Cinquecento

Luigi Baldacci
Longanesi & C.

LINACI0263742
Lirici del Cinquecento

Luigi Baldacci
Longanesi & C.

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12.00€

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Tristano Riccardiano
LINACI0263711

Tristano Riccardiano

E. G. Parodi, Marie-José Heijkant
Pratiche Editrice

LINACI0263711
Tristano Riccardiano

E. G. Parodi, Marie-José Heijkant
Pratiche Editrice

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15.00€

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Giocati dal caso
LIPSEC0263439

Giocati dal caso

Nassim Nicholas Taleb
Il Saggiatore

LIPSEC0263439
Giocati dal caso

Nassim Nicholas Taleb
Il Saggiatore

Con piglio narrativo e una serie continua di racconti e aneddoti Taleb ci spiega il ruolo che il caso e la fortuna hanno sulla nostra vita. Troppo spesso scambiamo per abilità e bravura quello che è solo fortuna, Utilizzando in modo divertente e accessibile la teoria della probabilità l'autore, che compare nel libro sotto l'aspetto del personaggio Nerone, un moderno Candide, spazia dal famoso processo al giocatore americano OJ Simpson alla filosofia di Karl Popper per dimostrare come l'ignoranza delle regole probabilistiche influenza ogni aspetto della nostra vita. Scambiare la fortuna per abilità può provocare danni enormi mentre saper riconoscere la casualità può rappresentare una fortuna per tutti.

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17.00€

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Le avventure della parola
LISAIT0263406

Le avventure della parola

Arnaldo Bressan
Il Saggiatore

LISAIT0263406
Le avventure della parola

Arnaldo Bressan
Il Saggiatore

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14.00€

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La transizione
LISUSO0263391

La transizione

Guido Cosenza
Feltrinelli

LISUSO0263391
La transizione

Guido Cosenza
Feltrinelli

Le civiltà possono collassare. La storia e l'archeologia documentano come ciò sia già avvenuto in passato. La descrizione del loro declino consente di rintracciare alcune costanti, fattori ambientali e sociali, che possono essere considerati come altrettanti sintomi che una certa comunità umana ha raggiunto una fase di evoluzione massima. A quel punto i problemi sono divenuti così complessi che o si opera una transizione a una fase nuova, con forme di organizzazione interna più semplici, o si assisterà al collasso della comunità. Guido Cosenza fornisce una persuasiva analisi del modello socio-economico attuale, pervenendo a una sintesi del complesso di elementi che inducono a ritenere che siamo entrati in una fase evolutiva anticipatrice di collasso. La sua descrizione è priva di toni apocalittici, ricca di esempi storici e di cronaca recente finalizzati a individuare quei comportamenti collettivi e individuali che hanno già fatto capolino tra le pieghe della nostra comunità e che una guida politica saggia potrebbe sostenere e cercare di diffondere, avviandola a una transizione non traumatica verso una società ecocompatibile.

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17.00€

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