Company specializing in the purchase/sale of furniture and art objects and collectibles of modern art, design, antiques, old and contemporary paintings, vintage clothing and old and rare books.

Elliptical table, metal base covered in leather, transparent glass top.

Austria Mid 19th Century

Pair of potiches with lids in Vienna porcelain. The vases are set on a high foot and feature gold relief decorations that create meander frames and leaves on a blue background. The body features two reserves in the center with hand-painted allegorical scenes. Decorative reserves and frames also on the lids. Under the base, the manufacturer's mark.

Female figure ca. 1950

Tempera on paper applied to canvas. Signed lower right. On the back is the label of the Galleria Cadario in Milan, where the work was exhibited. The work is accompanied by an authentication from the Mario Sironi Archive, with archive number 4/25: During his career, Sironi has joined various artistic movements and even founded one together with other artists, as in the case of the Novecento Italiano movement. Over the years, Sironi has been a member of Futurism, the Italian avant-garde born in 1909 with the famous manifesto by Filippo Tommaso Marinetti; after which for a certain period he was also influenced by the Metaphysical movement, founded in the 1920s by Giorgio de Chirico, and starting from the 1930s his painting abandoned the clear sign of the first Novecento season to go through an expressionist period, characterized by an approximation of the figure and a marked brushstroke. The female figure has always been the protagonist in Mario Sironi's works, gradually represented in different ways, following the evolution of the artist's style. This figure is part of the production of the 50s, in which Sironi lived withdrawn, avoiding recognition and even refusing invitations to the most prestigious events; it was a period of solitude and depression that, however, from an artistic point of view, revealed itself to be surprisingly generative at times: starting from 1942, Sironi fell back on a metaphysical reflection with very heterogeneous works, in which clear tones and dark spatulas, mannequins and empty atmospheres alternate. The work is presented in a frame.

Italy 20th Century

Square section table in cherry, built with antique woods, sliding top concealing a compartment underneath, drawer in the band under the top, turned legs. Italy, 20th century.

Italy 19th Century

Carved and lacquered wooden torch holder, gouges and scrolls along the entire shaft. Italy, 19th century.

Oil on canvas. Lombard school of the 17th century. According to the classic iconography, the penitent Magdalene is depicted with tears in her eyes, her hair loose, undressed, holding the jar of ointment with which she anointed Jesus in the Gospel episode, and the skull, the Memento mori par excellence. Above her, a little angel points to the sky above. The pictorial methods are very similar to a similar work by Panfilo Nuvolone (1581 -1651), an Italian painter active between Lombardy and Emilia, an interpreter of an outdated late Mannerism inspired by the dictates of the Counter-Reformation, known for his still lifes but also the author of figures similar to this one. The painting, restored and relined, is presented in an antique gilded frame.

Vintage Italian-made cabinet unit with drawer. Wooden frame, mirrored glass finish in shades of aqua green. In good general condition, with a small chip on the top visible in the photo.

Set of 6 chairs with exotic wood frame, chromed and enamelled metal, foam padding and fabric covering, to be renewed.

Lamp with metal frame and glass pendants.

Italy, 20th Century

Pair of neoclassical style beds, in lacquered wood, gilding in the carved decorative elements. Padded paneling. Italy, 20th century.

Group of 5 chairs, curved plywood legs, curved plywood shell, foam padding, original period fabric upholstery, worn. To be restored.

Vintage round mirror with wooden frame and rope support.

Italy 17th Century

Baroque walnut wardrobe, front with two bipartite doors with panels and drawer in the base. Poplar back, fir shelves, missing parts. Emilia, 17th century.

Italy Second Half of the 20th Century

Pair of 925 silver candlesticks, Ottaviani manufacture. A stylized flamingo supports a candle holder on a circular base. Silver hallmarks engraved. 320 grams.

Italian Manufacture, 1970s

Vintage living room furniture with wooden frame and aquamarine mirrored glass finish. Generously sized, it has three front drawers, one of which has a small chip visible in the photo. In good overall condition.

Italy Second Quarter XIX Century

Louis Philippe bedside table in walnut, drawer in the band under the top, central door, oak interior. Top redone in wood to replace the original marble top. Italy, second quarter of the 19th century

Vintage Italian-made cabinet unit with wooden frame and finished with mirrored glass in shades of aqua green. In good general condition, with a small internal chip on the drawer stop.

Italy Early 20th Century

Sideboard in the Baroque style, veneered in walnut and walnut root, fillets in maple and rosewood. Wavy and broken front, central body with two doors and two overlapping drawers, lateral ones with door and drawer. Decorations, handles and escutcheons in bronze. Black marble top. Italy, early 20th century.

Switzerland 1996

Box set containing 10 watches dedicated to Olympic legends on the occasion of the Atlanta 1996 Olympics.

Ugo Foscolo
Riccardo Ricciardi

Paolo Sarpi
Riccardo Ricciardi

Paola Barocchi
Riccardo Ricciardi

Vittorio Alfieri
Riccardo Ricciardi

Société Internationale Leon Battista Alberti
L. S. Olschki

Giovanni Molonia, Maksim Gor'kij
Edizioni G.B.M.

Paloma Castillo Martìnez
Edizioni Paoline

Edith Stein
Città Nuova

Domenico di Guzmàn
Edizioni Messaggero

Jürgen Moltmann
Queriniana

Massimo Pallottino
Ilisso

Giovanni Musolino
Stamperia di Venezia

Francesco Olgiati
Società editrice Vita e Pensiero

Franco Livorsi
Tirrenia Stampatori

Giovanni Cosi
Franco Angeli

Paul Colomb De Batines
Salerno editrice

Santo Monti
Premiata Tipografia Editrice Ostinelli

Antonio Invernizzi
Le Lettere

L'impero accadico crolla sotto l'urto di popolazioni di livello sociale e culturale inferiore. La civiltà sumero-accadica continua però in forme anche più grandiose e la sua eredità culturale conserva immutata la sua forza vitale. L'arte e l'architettura della Babilonia si nutrono ancora della linfa della cultura sumero-accadica pur con le trasformazioni introdotte dagli Amorrei. La formazione dell'impero di Mitanni nell'area siro-mesopotamica introduce nuovi elementi culturali di cui si appropriano in vario modo sia la Babilonia dei Cassiti, sia l'Assiria. Manifestazioni grandiose accompagnano le fortune politiche dell'Assiria soprattutto nei primi secoli del I millennio. La reggia che ogni grande sovrano costruisce risplende dei riflessi della maestà regale nelle sale immense di rappresentanza e nelle raffigurazioni a rilievo che che ne rivestono le pareti. Lo sviluppo del rilievo narrativo assiro rappresenta per originalità e felicità dei risultati uno dei vertici dell'arte antico-orientale. All'arte imperiale assira babilonia contrappone, nel gigantesco programma di rinnovamento edilizio, una visione dominata da simboli, essenza della sua millenaria tradizione.

Vincenzo Lusci
Vincenzo Lusci

Maria Teresa Fiorio
Electa editrice

M. Scott Peck
Edizioni Frassinelli

Studio Marconi
Intergrafica

Axel Vervoordt
Fabbri - Skira

Germano Celant
Skira Editore

Si tratta di una monografia su Giosetta Fioroni, fra i maggiori protagonisti della pop art italiana e nota esponente della Scuola di Piazza del Popolo in Roma. Il volume, introdotto da un testo critico di Germano Celant, comprende un percorso storico-biografico dell'artista dall'infanzia ad oggi, con opere, documenti, testi letterari e dichiarazioni teorico-poetiche. Suddiviso in periodi, il percorso segue le orme di un lavoro - oltre 50 anni di carriera che ha trovato il suo naturale sviluppo nei rapporti con poeti e scrittori, a partire dal Gruppo '63 e da Goffredo Parise, compagno di vita dell'artista, fino ad includere Guido Ceronetti e Andrea Zanzotto. Conosciuta negli anni sessanta per i dipinti in smalto alluminio detti argenti, l'avventura linguistica di Fioroni si evolve in una varietà di forme e tecniche, nei cicli come i Teatrini, gli Spiriti Silvani, le serie fotografiche e la recente produzione in ceramica, ove ricorrono le relazioni dell'artista con la letteratura e le esperienze di vita, quali gli affetti e la memoria.

Nicol M. Mocchi
Scalpendi Editore