Antique Baroque Table Walnut Italy XVII-XVIII Century

Emilia Romagna Late 17th - Early 18th Century

Code: ANTATV0148828

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Antique Baroque Table Walnut Italy XVII-XVIII Century

Emilia Romagna Late 17th - Early 18th Century

Code: ANTATV0148828

1,150.00
WITH FREE SHIPPING
1,000.00 € *
IF YOU PICK UP IN STORE
Discounted price if you collect the product in our shops in Milan and Cambiago:
* Optional choice in the cart
Add to cart
SAFE PAYMENTS
pagamenti sicuri
Request information
Book a date

Antique Baroque Table Walnut Italy XVII-XVIII Century - Emilia Romagna Late 17th - Early 18th Century

Features

Emilia Romagna Late 17th - Early 18th Century

Style:  Baroque (1630-1730)

Age:  18th Century / 1701 - 1800 , 17th Century / 1601 - 1700

Origin:  Emilia Romagna, Italy

Main essence:  Walnut

Description

Baroque spool table in walnut, Emilia late 17th - early 18th century. Turned uprights and crosspieces. Top and undertop strips replaced and made with antique wood.

Product Condition:
Product that due to age and wear requires restoration and resumption of polishing.

Dimensions (cm):
Height: 81
Width: 129,5
Depth: 60,5

Restoration options

Complete restoration

Antitarlo, incollaggio strutturale, ripresa della lucidatura, finitura a gommalacca spagliettato e incerato

Additional Information

Style: Baroque (1630-1730)

Read more

The term derives from the Spanish barrueco phoneme or Portuguese barroco and literally means "shapeless pearl".

Already around the middle of the eighteenth century in France it was synonymous with uneven, irregular, bizarre, while in Italy the term was of Medieval memory and indicated a figure of the syllogism, an abstraction of thought.

This historical period was identified with the derogatory term baroque, recognizing in it extravagance and contrast with the criteria of harmony and expressive rigor to which it was intended to return under the influence of Greco-Roman art and the Italian Renaissance.

Baroque, seventeenth-century and seventeenth-century were synonymous with bad taste.

As regards furniture, freedom of ideation, need for pomp and virtuosity gave rise to a synergy destined to produce unsurpassed masterpieces.

The materials used were worthy of competing with the most astonishing tales of Marco Polo: lapis lazuli, malachite, amber, ivory, tortoiseshell, gold, silver, steel, precious wood essences and more dressed the furnishings that in shape and imagination virtually gave life to the Arabian Nights of many of our powerful people.

Typical of the period were load-bearing or accessory parts resolved with twisted column motifs, clearly inspired by Bernini's canopy of St. Peter's, parts with rich sculptural carving in high relief and even in the round within a vortex of volutes, scrolls and spirals, curved and broken profiles, cymatiums agitated by gables of articulated shape, aprons adorned with ornaments, corbels, buttresses and so on. necessary to enliven shapes and structures.

The Baroque is also the century of illusionism: lacquers and thin temperas crowd furniture and furnishings to imitate with the marbling effects of marble veining or games of veining of precious briar roots.

Find out more about the Baroque with our insights:

FineArt: The Baroque

Classic Monday: a double-body sideboard, late Venetian Baroque

Classic Monday: a pair of candle holders between the Renaissance and Baroque

Classic Monday: a pair of mirrors between Baroque and Late Baroque

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YouTube - Pillole di storia del mobile ep1: il Baroque

Age:

18th Century / 1701 - 1800

18th Century / 1701 - 1800

17th Century / 1601 - 1700

17th Century / 1601 - 1700

Main essence: Walnut

Walnut wood comes from the plant whose botanical name is juglans regia , probably originally from the East but very common in Europe. Light or dark brown in color, it is a hard wood with a beautiful grain, widely used in antique furniture. It was the main essence in Italy throughout the Renaissance and later had a good diffusion in Europe, especially in England, until the advent of mahogany. It was used for solid wood furniture and sometimes carvings and inlays, its only big limitation is that it suffers a lot from woodworm. In France it was widely used more than anything else in the provinces. In the second half of the eighteenth century its use decreased significantly because mahogany and other exotic woods were preferred.

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Product availability

The product can be seen at Cambiago

Immediate availability
Ready for delivery within 2 working days from ordering the product.

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