Antique Flap Cabinet George IV Maple England XIX Century - England, First Quarter XIX Century

Italy, Late XIX - Early XX Century

Rectangular shaped fir wood trunk with rounded lid. Working lock.

France, Second Half XIX Century

Clock triptych in black marble and bronze with statues by Henri Honoré PLÉ, six-flame candelabra. Mechanism marked Japy Frères & Cie grande medaille d'Honneur.

Interior of Stable, 1889

Oil on hardboard. Signed and dated 11-30-1889 lower left. Delleani, who initially painted mainly historical subjects, progressively approached landscape painting "en plein air", especially of the places of his origins, the Piedmontese valleys, characterizing his views with chromatic vibrations and warm brightness. In the last decades of his life, however, he also allowed himself to be involved in the orientalist trend, but then returned to his landscape views, creating above all panels rich in warm colors and suggestive atmospheres. Rarer but equally evocative is his production of interiors, such as this one of a stable, where the animated figures, the sheep, appear as almost indistinct spots of color within an environment played entirely on the luminous effects of a single chromatic range. Restored and protected, the painting is presented in a gilded frame from the early 1900s.

Ballerina 1896

Mixed media on cardboard. Signed dated lower right. Adolfo Magrini was a multifaceted artist: painter, illustrator, engraver, set designer, after an initial production influenced by the romantic painting of Palizzi and Morelli, he was contaminated by Central European influences, becoming more angular. This youthful work is still influenced by the Neapolitan artists with whom he trained. The painting is presented in a frame from the first half of the 20th century. Has some color damage.

Oil on hardboard. Unidentifiable acronym at the bottom left. In English style, the painting presents a country landscape with a hunting dog sniffing out the scent, followed at a distance by the hunter. The painting is presented in a contemporary frame.

Europe, Late XIX - Early XX Century

Mary child in wax with fabric dress, trimmings and rhinestones. Quilted blue velvet background with brass flowers and frame with leaves, bird with flower garland and small mirrors on the sides. Coeval case.

France, Late XIX Century

Triptych gilt bronze clock in Rococo style. The candelabra and the clock feature leaf scroll decorations and vegetal motifs. Display with Roman numeral hours and Arabic numeral minutes protected by a curved glass lid. Finely pierced gilded bronze hands. Mechanism marked Medaille d'Argent.

Oil painting on canvas. Bottom right signed Borella and dated 1894. It is probably Rafael Borella (1874 -1953), a painter born and trained in Milan but then moved to Uruguay. His first Italian production includes Venetian and Val d'Aosta landscapes. This painting, which offers a mountain view, with meadows crossed by a stream near which a fisherman sits. The scene could therefore be a youthful production by Borella, suited to him in terms of subject and style. The work is presented in a contemporary frame.

Italy, XIX Century

Painted terracotta statue on a wooden base. Dress embellished with trimmings, sequins and lace.