Vintage Poster Copy of Aubrey Beardsley The Black Cape XX Century - The Black Cape, 1950s-60s
Features
The Black Cape, 1950s-60s
Artist: Aubrey Beardsley (1872-1898)
Artwork title: The Black Cape
Age: 20th Century / 1901 - 2000
Subject: Illustration
Artistic technique: Multiple Print
Technical specification: Lithography
Description : The Black Cape
Print on paper. At the bottom the words "Gallery Five PU4/IK - Black Cape by Audrey Beardsley - Printed in England". This is a 1950s-1960s reissue by the London gallery of one of the Art Nouveau illustrations made by Audrey Beardsley for Oscar Wilde's play "Salomé: a tragedy in one act", written in French in 1891 by Oscar Wilde, published in London in English for the first time in 1893 and released the following year with sixteen illustrations by the young artist. Wilde's irreverent genius found full expression in Beardsley's drawings: Beardsley's elegant black and white silhouettes are the exact icon of the style that the designer and writer embodied, that is, the figure of the dandy who elevates himself and his life to a work of art, through an egocentric satisfaction in his own aesthetic refinement. Beardsley's flat, asymmetrical, superficial decorations were in sharp contrast to trompe l'oeil naturalism, to everything that is volume or plastic body, to massive, heavy, overloaded forms, to excess of detail, in short to the taste of the mature Victorian era. The work is presented in a frame.
Product Condition:
Product in good condition, shows small signs of wear. We try to present the real condition as completely as possible with the photos. If some details are not clear from the photos, what is reported in the description is valid.
Frame Size (cm):
Height: 120
Width: 89
Depth: 2
Artwork dimensions (cm):
Height: 115
Width: 82
Additional Information
Artist: Aubrey Beardsley (1872-1898)
Born in Brighton in 1872, Aubrey Beardsley was an English illustrator, writer and painter: his career as an artist lasted a total of seven years, during which he created works that ensured his fame throughout Europe. His drawings, illustrations and black and white prints were and remain immediately recognisable, as was the artist's appearance, considered the symbol of the decadent elegance of the time together with Oscar Wilde. Beardsley was an original and unique talent, who never belonged to any school. At 18 he had met the pre-Raphaelite painter Edward Burne-Jones, who had told him: "I never advise anyone to choose art as a profession, but in your case I can do nothing else". With this encouragement from the painter he most admired, Beardsley began his career in London, making himself known at the beginning above all for his appearance: tall, slim, elegant, sophisticated and witty, a true dandy. In 1892, the turning point came with a commission to illustrate a new edition of the book The Morte d'Arturo on the legend of the King: 353 drawings that allowed Beardsley to explore different themes and influences, from Japanese art to Greek mythology, and to create his own unique style, essential and with clear lines, particularly suitable for prints. In 1894, Oscar Wilde, after seeing and admiring a drawing that Beardsley had made inspired by reading Salomé, chose him to illustrate the English edition of the book, which was a great "succès de scandale". In the same year, Beardsley became director of the magazine The Yellow Book, whose success was due above all to his drawings and illustrations, and he participated in the first London exhibition dedicated to posters, an art form that he had discovered on a trip to Paris and that had enthused him for its essential lines and immediate message. However, the success did not last long. When Wilde was tried and convicted of “indecency” because of his homosexuality in 1895, his friend and illustrator Beardsley was unwillingly involved in the scandal. Fired by the English publishing house, the artist took refuge in Dieppe, France. Increasingly ill, wandering around Europe in search of a more congenial climate, Beardsley finally succumbed to tuberculosis, which had tormented him since he was a child: in 1898, at just 26 years old, he died in Menton.Age: 20th Century / 1901 - 2000
20th Century / 1901 - 2000Subject: Illustration
Artistic technique: Multiple Print
Technical specification: Lithography
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Leggi di più
Ecco alcuni tra i principali articoli:Vedute
Falsi nell'arte antica
Un messaggio di fiducia per ripartire
La potenza espressiva dell'arte figurativa etiope
Breve Storia del Collezionismo
Giorgio Upiglio, maestro dei libri d'artista
Matthias Withoos detto "Calzetta bianca"
San Rocco pensaci tu - Classic Monday
Dai un'occhiata alle nostre rubriche di divulgazione sull'arte:
Epoche
Lavorazioni e tecniche
Mostre ed Eventi
Protagonisti
Ti suggeriamo di guardare anche le presentazioni di questi dipinti ottocenteschi:
Tavoletta Porcellana Regina Luisa di Prussia, Berlino, Ultimo Quarto XIX secolo
Veduta di Frascati, Achille Etna Michallon, ambito di, terzo decennio XIX secolo, olio su tela
Venere Dormiente, Claudio Rinaldi, 1899
Sapevi che l'arte può essere anche un ottimo investimento (e non solo per grandi portafogli)?
L'Arte tra Collezionismo e Investimento
FineArt: Arte come investimento