O-Luce Perla Lamps Design B. Gecchelin Aluminium Glass 1980s

Italy, 1980s

Opi model ice bucket in plexiglass with lid and silver tongs. Tubular stainless steel hinge. Manufacturer's mark under the base. Silver and Ganci Carmelo Milano silversmith's marks engraved on the lid and on the tongs. 144 grams.

France, 1980s-1990s

Honfleur Lalique crystal bowl with a wide satin edge and decorated with geranium leaves. Under the base, the pointed signature of the manufacture.

Germany, 1980s

Pair of crystal photo frames. Manufacturer's mark on the base.

Italy, 1980s

Six-flame pewter candelabra and tray. Under the bases, manufacturer's label and trademark.

Roco HO train. Lot consisting of two locomotives, thirty-nine wagons, a double switch, tracks and switches. Original boxes in good condition.

Swatch Gent GG104 Shibuya 1989 new in original case. Analog display. Water resistant up to 3 bar. Swiss quartz movement type. This is a vintage (unworn) watch and should be considered a collector's item, sold without warranty.

Italy, 1988

Metal sculpture entitled "Wings". On the wing, the author's signature is engraved with the production date.

Faenza 1980s

Ceramic plate with polychrome decoration. Brand of the manufacture on the reverse.

Electrotren train. Group of 18 wagoons and a box of platforms. Scale 1:85

Oil on canvas. The man portrayed is identified as Giovan Battista Stampa di Gravedona, a jurist, as cited by the writing at the top left, which declares his position, and by the heading of the letter he is holding. The Stampa family, originally from Gravedona on Lake Como, belonged to the local notable class and, by virtue of this, they also played a certain public role. In the painting the man is depicted sitting at his desk, among the papers of his work, stern in the face as his position required. Restored (obvious signs of restoration due to old breaks in the canvas, marked crack) and relined, the painting is presented in an adapted antique frame.

Italy, XX-XXI Century

Pair of blackamoor candle holders in carved, painted and gilded wood. Val Gardena manufacture.

Oil on canvas. The woman depicted in the scene can be traced back to Porzia, the Roman noblewoman and wife of Brutus, who lived in the 1st century BC: according to legend, she committed suicide by swallowing a burning coal, and it is in this fatal moment that she is depicted here. The painting is very close to the pictorial methods of the painting of the same name from the Cignani school, attributed to his pupil Marcantonio Franceschini and preserved at Palazzo Tozzoni in Imola. The figure of Porzia, placed in an interior with classical elements, occupies the entire field of the scene, and is depicted sitting in front of the burning brazier, in the act of putting the coal in her mouth; her expression reveals the suffering of the gesture she is making, but also her determination, her gaze looking into the distance already places her far from the life she is leaving. The painting has been restored and relined. It is presented in an antique 18th century frame.