Contemporary Light Sculpture Aluminium Plastic Italy 1970s

Contemporary Abstract Composition Metal Frame Italy 1970s

Bas-relief volume sculpture, made of rings and other metal shapes mounted on a metal panel. Framed.

Copper and Brass Sculpture Panel 70s

Copper and brass panel, worked with irregular geometric figures. Inspired by the works of the sculptor and painter Lino Bersani (Genoa 1935). Mounted on a white lacquered wooden panel.

Contemporary Bas-Relief Mixed Technique S. Colombo Studio 1975

Mixed media bas-relief on chipboard. Abstract composition, dated 1975 on the lower left. On the back the title, date, and statement of revision of the same, with dedication and signature of the artist Stefano Colombo.

Contemporary Bas-Relief Abstract Composition Italy 1970s

Bas-relief in wood, fabric and white tempera, evoking a stylised Crucifix. Mounted on a panel and presented in a display case.

Contemporary Photographic Print L. Genovese Infinitesimi 6 2005

Infinitesimi 6, 2005

Photographic print on aluminum and plexiglass. On the back the signature, title and serial number 1/5 engraved in the aluminum. Also present label of the Galleria Fotografia Italiana with the complete data of the work. The artist originally from Basilicata but living in Milan, initially known for black and white photography, began a new path of research on color from the beginning of the 21st century. This includes the personal exhibition held in 2005 at the Galleria Fotografica in Milan, entitled Aspirazione, of which it has been said: "No narration, no recognizable reality, only evocations obtained through the evaporation of colors, in many scattered clouds: more painting than photography". The work presented here belongs to this trend.

Contemporary Painting G. Peratici Oil on Hardboard 1979

The Angel of Death 1979

Oil on hardboard. Signed and dated lower left. Further signature, date and title on the back. Angelo Peratici's artistic production is characterized by a desire for expressive freedom that draws on his fervent imagination to represent reality. Starting from this innate impulse to transfigure reality, his art has transformed into a laborious research process, fertile with metaphorical and visionary images, sometimes grotesque, eccentric, which we see realized in particular in the production of the early 80s.

Contemporary Naif Painting M. Previ Oil on Glass 1979

The Bonfire under the Snow, 1979

Oil on glass. At the bottom right are the signature and date, accompanied by the artist's symbol, the stylized figurine of a man in a wheelchair. It is a work on glass by the painter Mario Previ, who has lived and painted in a wheelchair since the age of eighteen, due to quadriplegia resulting from a dive into his Taro. He said of himself: "The world, the passage of time, from this point of view (the wheelchair) teach many things. You learn to wake up every morning with a purpose, even if your body is in pain, if every gesture generates suffering and depending on others and giving up could be an easy solution. And instead, art, painting, together with the serenity of my world, of friends, give me incredible energy. They saved me, giving me the strength to live". In 1974, three years after the accident, inspired by a television program on Yugoslavian naïve painters, in particular by the works on glass of Mijo Kovacic, Previ began to paint and learn the art of painting on glass as a self-taught, until he to make himself known and appreciated for his paintings. In his naifs Mario Previ tells a reality that has almost disappeared, real stories albeit in a fairy-tale tone, he revives lost traditions, slices of life that belonged to other generations, those of peasant civilization (from which he also comes), but what emerges most from his visions are the "forë", those that could once be heard in the "firossi", the traditional evenings of the hamlets of Parma dedicated to meeting to tell anecdotes, stories and historical curiosities, often in front of the fireplace fire, when outside it was cold and snowing. The work is presented in a frame.

Contemporary Painting by F. Liberatore Mixed Technique 1977

Female Figure, 1977

Mixed technique on paper. Signed lower right. On the back, the artist's autograph dedication, with the date. Liberatore uses different pictorial techniques, favoring human figures, in particular female figures or smoking trains departing in mysterious stations. His images of women are depicted with sensual faces and attitudes and often framed by particular hats. Critics have defined Fausto Maria Liberatore's painting as art made of realism and mystery. The work is presented in a frame.

Contemporary Sculpture Bas-Relief A. Guazzardella Owl 1994 Bronze

Owl 1994

Bronze bas-relief. Signed lower left, initials AG upper right. On the back of the panel, there is the name, title and date of the work. Achille Guzzardella, a Milanese sculptor-painter, is particularly renowned for his sculptural portraits of well-known personalities from the Italian art world. Among others, he portrayed Vittorio Sgarbi, who called him 'the fighter of clay' and also 'Achille who paints with his soul'. Eclectic and refined, he has also created other subjects, using different techniques. Oneiric in his oil painting and always close to man in his sculptural work, Guzzardella fascinates art lovers with his concreteness expressed through his personal formal research.

Bill Davis Mixed Media Contemporary Art

Urba Flower 2016

Mixed media: on painted wood fabric flower in a geometric field. Signed and dated on the back. The artist says of himself: "It is the great love for art that pushed me to make concrete emotions and colourful visions that have always lived in my lively imagination. Suggestions that derive from various pictorial influences that I have revisited in a personal interpretation".

Bill Davis Mixed Media Contemporary Art

Indiscreet Lock 2019

Mixed media: plexiglass artpiece with fabric inserts and oil finishings. datend and signed on the back. The artist says of himself: "It is the great love for art that has driven me to realise emotions and colourful visions that have always lived in my lively imagination. Suggestions that derive from various pictorial influences that I have revisited in a personal interpretation".

Contemporary Artwork Bill Davis Mixed Technique 2017

Tribute to Nannarella 2017

Mixed media: dripped panitn and paper on wooden base. Signed and dated on the back. The artist says:" It is my great love for art that has driven me to realise emotions and colourful visions that have always lived in my vivid imagination. Suggestions that derive from various pictorial influences that I have revisited in a personal interpretation".