Inlaid cabinet

Wardrobe with one door and a drawer. It appears architecturally as a plinth with a rectangular base on vase-like feet and marked on the top with a light frame. To break the architectural balance there are two twisted all round columns siding the door made with a big framed mercury mirror. The entire surface is made with rosewood with Brazilian rosewood reserves and refined inlays of "antemi" and spirals that are repeated on the framing bands of the reserves; on the top frame is inlaid a Greek fret; the inlaid frame of the door marks the mirror with a finely inlaid and gilded moulding. Light maple frames interrupt the ones made with rosewood and Brazilian rosewood while there is gold in the inlay of the door but also in the bronzes that complete the bases and the capitals of the columns and in the locks. The lock is marked F.Vago in Milan.

Chest of Drawers and Bedside Tables

Tuscan neoclassical suite, consisting of a chest of drawers and two bedside tables. The chest of drawers has a disappearing door that hides three drawers with bronze pulls inside, the bedside tables with a drop-down top and an opening door hide the compartments where the toilet ceramics were housed. Tall truncated pyramid legs ending with elegant turnings and inlaid with maple and Indian walnut in the shape of leaves, support the furniture veneered in dark Indian walnut with inlaid borders in maple, boxwood, chestnut with geometric motifs, in the center of the door of the bedside tables a rosette is inlaid, on the door of the chest of drawers a basket of flowers; the tops of the bedside tables have white marble set in an inlaid border of various woods on the chest of drawers instead it is simply supported. Filaments on the marbles of the bedside tables. Original hardware. In plate XXX of the "Furniture Warehouse ...." there is a model of chest of drawers similar in colour and which has a door not divided into drawers.

Gilded Neoclassical Mirror

Neoclassical mirror, carved and gilded in gouache. The rectangular frame has a string of carved pearls and a chiselled and then gilded background; the frame is decorated with typical Lucca carvings, a cymatium with facing dragons holding floral festoons that start from the central vase, at the feet of the dragons a shelf with a cascade of leaves descends to the sides, at the base two feral feet with acanthus leaves hold the mirror, two sheets of mercury mirror.

Italy 17th century

Seventeenth-century sideboard with front with two doors surmounted on the top by a decorative support. The whole piece of furniture is made of walnut split into two by large pilasters, with a projecting cornice with indentations decorated with gilded highlights like the decorative frames and roundels. Italy 17th century

Italy, Mid XX Century ca.

Five-flame silver candelabra, finely chiseled and burin-worked with plant motifs and leafy scrolls. Silver and silversmith marks under the base. 3365 grams.

Sécrétaire with Inlays

Neoclassical secretaire made at the end of the 18th century. Made with two doors in the base, a drop-leaf door with a cabinet and a drawer under the top. Made of walnut and then veneered and inlaid in various woods, including walnut, Indian walnut, rosewood, boxwood, maple and more. Inlaid candelabra on the uprights and feet; Greek fret with leaves on the base upright, with rosettes in the centre, while the band under the top containing the drawer is inlaid with a repeated motif of a classical vase faced by dolphins with acanthus leaves in their mouths. In the centre of the quadripartite rosewood reserves of the doors, rosettes inlaid with stylised landscapes. Internal cabinet composed of two rows of drawers and open letter holders, treated leather top. Original hardware.

Lombardy second quarter XVIII century

Writing desk resting on wavy legs with goat feet, drawer in the band under the top, top and riser with carved crown depicting plant motifs and central star. On the bottom, the riser has a coeval protrusion indicating that the piece of furniture belongs to a boiserie, probably a bookcase. The piece of furniture is decorated with inlays depicting floral motifs present in the solid wood of the top and walnut briar veneer with maple threads also present on the drawer and upstand. Lombardy second quarter XVIII century

Italy Mid 1900s approx.

Five-flame silver candelabra, finely chiseled and burin-worked with plant motifs and leafy scrolls. Silver and silversmith marks under the base. 3540 grams.

Lombardy, Early XVIII Century

Pair of baroque walnut consoles, Lombardy, early 18th century. The front is composed of a succession of curls and wavy elements, according to a well-defined design; reserves, leafy and shell-shaped elements and small festoons with a flower in the centre, falling from the upper part of the uprights, complete the front decorative apparatus. Shaped top, crosspieces and turned rear uprights, the latter protruding laterally compared to the front uprights and embellished with a bulbous element placed at half their height. The layout and the carvings of the front present a typically Lombard layout, characterized by a strong resemblance to a group of seats of Fantonian origin, included within the collection of the Museum of Applied Arts at the Castello Sforzesco museum complex in Milan.

Baroque Frame

Small carved and gilded frame from the Baroque period, made in the first decades of the 18th century. The frame is carved in lime wood without applied parts; it is decorated with symmetrical leafy scrolls that end in a coat of arms at the bottom and in a shell on the top, on which a winged cupid flies down, bringing a crown to the figure depicted in the portrait, probably a bride metaphorically represented as Venus, according to the typical attributes, shell and Cupid. The similarity with the more famous frame attributed to Parodi, in which the narration of the Judgement of Paris is depicted, is evident: the moulding of the frame is the same as the two putti placed in the shell, in that case placed at the base of the frame, seem very close, a detail that makes us think of a production by a student of the same workshop.

Italy, Early XVII Century

Circular marble bowl shaped like a pod. On the front, a finely sculpted face.

Italy, Mid XIX Century

White marble sculpture depicting the bust of a girl. Three-quarter face with downward gaze. Dark patina wooden base.

Italy, 1980s-1990s

Pewter tray with salt, pepper and monkey toothpick holder. Designer signature under the base.

Ferrara, Mid XVIII Century

Baroque sideboard made in Ferrara supported by cabriole feet, has a wavy front in which there are pairs of doors and drawers in the band: a large central one and two smaller lateral ones; the sides are also wavy and are equipped with a door each. On the top rests a riser with a shelf that can be opened giving access to the internal compartment, to which galvanized tanks have been added to allow it to be used as a planter; in walnut, the interiors are in fir. The piece of furniture has small restorations and replacements in the construction part of the drawers, in the rear strip and in the hinges of the shelf to allow the aforementioned transformation, in the hardware and in a handle of one of the two side doors.