The Studio annata 1908 (8 fascicoli): vol. 42 n. 178 gennaio, vol. 43 n. 180 marzo, vol. 43 n. 182 maggio, vol. 44 n. 183 giugno, vol. 44 n. 185 agosto, vol. 44 n. 186 settembre, vol. 45 n. 187 ottobre, vol. 45 n. 189 dicembre

Federico Zeri
Umberto Allemandi & C.

Ernst H. Gombrich
Giulio Einaudi Editore

Hugh Honour
Edizioni di Comunità

AA.VV.
s.e.

Enrico Castelnuovo, Giuseppe Sergi
G. Einaudi

Rosalind Polly Blakesley
Yale University Press

The Russian Canvas charts the remarkable rise of Russian painting in the 18th and 19th centuries, and the nature of its relationship with other European schools. Starting with the foundation of the Imperial Academy of the Arts in 1757 and culminating with the assassination of Tsar Alexander II in 1881, it details the professionalization and wide-ranging activities of painters against a backdrop of dramatic social and political change. The Imperial Academy formalized artistic training but later became a foil for dissent, as successive generations of painters negotiated their own positions between pan-European engagement and local and national identities. Drawing on original archival research, this groundbreaking book recontextualizes the work of major artists, revives the reputations of others, and explores the complex developments that took Russian painters from provincial anonymity to international acclaim.

Ernst H. Gombrich
Giuglio Einaudi editore

Mario Bussagli
Bardi Editore

Julian Bell
Mondadori Electa

Paola Barocchi
Einaudi

Mario Piantoni, Laura De Rossi
Edizioni della Laguna

Adolfo Venturi
Ulrico Hoepli Editore