Vintage Mirror Cassina Les Grands Trans-Parents Design Man Ray

Painting Jesus stripped of his clothes

17th Century

Oil on canvas. The scene depicts a moment of the Passion of Christ, which coincides with the Xth station of the Via Crucis: having arrived on Golgotha, Jesus is stripped of his clothes, while a soldier prepares the irons to nail him to the cross, another prepares the sign to be displayed on the cross, a third squeezes a sponge soaked in gall to give him water. Restored and relined in the early 1900s, the painting has some paint loss and a scratch at the top. It is presented in a period frame.

Painting Landscape with Figures

Oil on canvas. In the large classical landscape of Nordic style, with thick vegetation and a torrential river, three figures are depicted on the path on the left that evoke the biblical characters of the Flight into Egypt: a man leads a donkey, on which sits a woman, wrapped in a blue cloak, holding her little son in her arms. Restored and relined, the painting is presented in an early 1900s frame.

Fake Author's Painting signed Rognoni

Fantastic Vision with Figures

Oil on canvas. The signature of the painter Franco Rognoni appears at the bottom right, but the work has not been recognized as authentic by the artist's archive. It also well reflects Rognoni's pictorial style, characterized by figures, both men and houses drawn in black with a few precise strokes, and then filled with color that fades into the background. In the canvas, an elegant male figure appears, leaning impassively and indifferently on the flowered railing of a terrace overlooking a city; below him, at the bottom left, another face emerges (the same man?) wearing a military helmet and placed on a darker, less sunny city background: whether it is the man at war who recalls the time of peace or vice versa, the reference to the alternation in life of peace and war, of serenity and drama is evident. The work is presented in a frame.

Painting Portrait of a Priest

Oil on canvas. Portrait of a prelate, severely intent on reading the breviary: the white fur cape worn by the priest over his cassock stands out, while on his head he wears the traditional biretta. The painting has a small cut in the lower left, and some paint loss. It is presented in a contemporary gilded frame.

Painting Courtship Scene

Oil on canvas. The protagonists of the scene are a girl and a boy dressed in traditional Tyrolean clothes, a region to which the setting also refers, with its characteristic mountain chalets with flower-filled balconies; the girl, sitting knitting, joyfully receives the embrace of the boy, who takes her by surprise from behind. The pictorial style and subject matter refer to the production of some Tyrolean artists who tried their hand at popular and traditional genre scenes, including for example Hugo Kauffmann, specialized in popular interior scenes in costume. The painting, on the first canvas, shows traces of patches. It is presented in a gilded frame in style.

Painting of Lady's Face

Oil on canvas. Face of a lady, depicted in profile, with a dangling earring and a charming hairstyle adorned with a large pink bow, which softens the severity of the dark dress and serious expression. The painting is presented in a period frame.

Antique Painting Female Portrait Oil on Canvas XVIII Century

Oil on canvas. Central European school of the 18th century. The distinguished lady, who flaunts a dress enriched with bows and lace, is seated at her desk and holds a letter in her hand; at the bottom left an envelope bears traces of a name, unfortunately illegible, a device to make the portrayed character known. Restored and relined, the painting is presented in an early 1900s frame.

Antique Painting Historical Subject Oil on Canvas XVIII Century

Oil on canvas. This is an ancient copy of the work by Giovanni Battista Salvi, known as Sassoferrato (1609 -1685), now preserved in the Galleria Nazionale dell'Umbria (Palazzo dei Priori), which was previously exhibited for a long time in the church of San Severo in Perugia. Sassoferrato's models of Madonnas were very successful and were therefore widely copied and replicated. The painting, restored and relined, is presented in a period frame.

Antiuque Painting Religious Subject Oil on Canvas XVIII Century

Oil on canvas. Central Italian school of the 18th century. Saint Joseph tenderly holds the baby Jesus in his arms, looking at him with great tenderness; some little angels are watching them around, and one of them holds the flowering stick, the iconographic symbol of the Saint. Restored and relined, the painting is presented in a period frame.

Antique Painting Landscape Oil on Canvas France XVIII Century

Oil on canvas. French school of the second half of the 18th century. This bucolic landscape of verdant countryside opens up in the background with fields and blue mountains. In the foreground, near an imposing fountain consisting of a monumental marble base on which rests an amphora vase, a shepherd and a shepherdess are engaged in conversation, while they rest together with their herd of cows and sheep. Restored and relined, the painting is presented in a late 19th century gilded frame.

Antique Painting Antonio Basoli Attr. Interior Scene XIX Century

Interior of the Temple of God Brahma

Watercolor, ink and pencil on paper. Applied to cardboard, on which at the bottom appears the owner's pencil inscription "Inventions, interior of the temple of the god Brama. Original by Professor Antonio Basoli". Also present, at the bottom right, is the stamp "Professor Antonio Basoli". Given his long career as a teacher at the Academy of Fine Arts in Bologna, it can be assumed that one of his students became the owner of this drawing by Basoli, probably a scenographic sketch. Antonio Basoli established himself as a scenographer and decorator. Thanks to his creativity, he was able to integrate the Bolognese scenographic traditions with new trends, such as the neoclassical style and romantic vedutism. His scenographic production, documented in the collection of booklets of the Biblioteca Marucelliana in Florence from 1808 to 1820, was very vast, as demonstrated by his numerous sketches preserved mostly in Bologna, Milan and Florence. The drawing is presented in a period frame.

Contemporary Painting Signed Paolo Patelli Mixed Technique 2003

Untitled, 2003

Mixed media on paper. Signed and numbered on the back. Copy No. 40 of an edition of 350, of which the first 50 copies are numbered and signed by the artist. These works were created as an attachment to the Catalogue of the 1040th exhibition at the Galleria del Cavallino -Venice, held in October 2003 and dedicated to the works of Paolo Patelli, as indicated in the colophon of the brochure, where there is a further signature of the artist and dedication. Paolo Patelli, an artist of Istrian origins, expresses the joy of painting, creating works that are enriched by his passion for music. The rhythmic spirit of the artist's style captures movements, translating them into a visual language that breaks the mold of traditional artistic models, making every line and every brushstroke visible, leaving a wide exposure of the paper surface.